Pauline Hall

More Piano Time Classics

• Broschiertes Buch

Produktbeschreibung

38 really easy arrangements of the best-loved familiar tunes you will recognize from recordings, radio, and TV. The witty cartoons will bring a smile to the lips of even the most jaded piano pupil.

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• The Oxford Piano Method
• Verlag: Oxford University Press
• 1995.
• Seitenzahl: 40
• Erscheinungstermin: 20. Juli 1995
• Englisch
• Abmessung: 310mm x 235mm x 10mm
• Gewicht: 155g
• ISBN-13: 9780193727496
• ISBN-10: 0193727498
• Artikelnr.: 23080543

Autorenporträt

Pauline Hall graduated from the Royal Academy of Music and then taught in schools and privately. Whilst living and teaching in Harrogate she felt the need for a piano tutor which made learning fun, and which progressed at the pace of her slowest learner. She started by writing little tunes in pupils' notebooks, and these formed the basis of Tunes for Ten Fingers; the Piano Time series developed from this.

Inhaltsangabe

Rule Britannia!
Minuet in G
Moonlight Sonata
Sonata Pathétique (2nd movt)
Polovtsian Dance
Gavotte
Prélude from Te Deum
Trumpet Voluntary
Golliwogg's Cakewalk
Waltz from Coppelia
Humoreske
Sicilienne
Aria from Orfeo ed Euridice
Morning from Peer Gynt
Largo
La Réjouissance from the Fireworks Music
Theme from Quartet Op. 3, No. 5
Plaisir d'Amour
O for the wings of a dove
Clarinet Concerto (2nd movt)
Romance from Eine Kleine Nachtmusik
Theme from Sonata K.331
Canon
La Campanella
Dido's Lament
Rondeau from Abdelazer
Elephant from Carnival of the Animals
Cradle Song
Marche Militaire
Dreaming
Roses from the South
Tritsch Tratsch Polka
Dance of the Little Swans from Swan Lake
Waltz from Sleeping Beauty
Waltz from Swan Lake
Autumn from the Four Seasons
Bridal March from Lohengrin
La Paloma

Rezensionen

Each arrangement has been kept short, yet Pauline Hall has skilfully incorporated all the main tunes - these really do sound like the originals. What's more, she's managed to shoehorn them all into easy keys: most are in C, while the rest stick to one sharp or one flat in their key signatures. And to top it all, the book's designed to stay open on the music stand and the quality is commendable too: nicely spaced music, clear typesetting, a little useful history to many of the pieces, the odd quirky illustration, and, of course, no page turns all add up to an extremely desirable music book for early-grade pianists and keyboard players. Keyboard Review