Moroccans in Hollywood Movies. The Case of
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Seminar paper from the year 2016 in the subject Film Science, Sultan Moulay Sliman University, language: English, abstract: After an overview on the stereotyped view of American cinema on different cultures, the paper proceeds to explore how Hollywood represents Moroccans and how it perpetuates an orientalist imaginary in the case of the American Film "Babel". Although on a manifest level this movie represents Moroccans without offending their culture, it approaches them on a latent level through a repertory of denigrating stereotypes belonging to a Eurocentric tradition. Accordingly, due to a…mehr

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Produktbeschreibung
Seminar paper from the year 2016 in the subject Film Science, Sultan Moulay Sliman University, language: English, abstract: After an overview on the stereotyped view of American cinema on different cultures, the paper proceeds to explore how Hollywood represents Moroccans and how it perpetuates an orientalist imaginary in the case of the American Film "Babel". Although on a manifest level this movie represents Moroccans without offending their culture, it approaches them on a latent level through a repertory of denigrating stereotypes belonging to a Eurocentric tradition. Accordingly, due to a racist undercurrent pervading its representation of Morocco, "Babel" fails in conveying a universal humanistic message claimed all along the plot of the film.
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Autorenporträt
I obtained my B.A degree in English Literature from Cadi Ayyad university , an MA in literary and cultural studies from Sultan Moulay Slimane university, Beni-Mellal, and had my Ph.D. on ¿The Problematic of Becoming in Margaret Atwood¿s Novels¿. Since 2012 I have lectured at Sultan Moulay Slimane university on different literary and culture-related subjects such as the novel, postcolonial theory, cultural theory, literary theory and mythologies of the western world. I have supervised several B .A monographs on literature and culture. My current research interests include literary criticism, cultural studies, women¿s writing, postcolonial studies, film studies and Theory.