Mosque examines the history, culture, evolution and functions of the mosque through the prism of its artistic objects and architectural elements. It is essential reading for anyone interested in the art and culture of the Muslim world.
Mosque examines the history, culture, evolution and functions of the mosque through the prism of its artistic objects and architectural elements. It is essential reading for anyone interested in the art and culture of the Muslim world.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Idries Trevathan is the Curator of Islamic Art at the King Abdulaziz Center for World Culture (Ithra). Since its opening in 2018, he has helped establish Ithra as a major destination for Islamic art through building its collection from scratch and curating major exhibitions in partnership with the Los Angeles County Museum (LACMA) and the Supreme Council of Egyptian Antiquities. Trevathan received his BA undergraduate degree in conservation studies at the City & Guilds of London Art School (2006), and his MPhil (2013) and PhD (2018) in Islamic art from the King's Foundation School of Traditional Arts in London. He has also authored and edited several books including Colour, Light and Wonder in Islamic Art (Saqi Books 2020) and The Art of Orientation: An Exploration of the Mosque through Objects (Hirmer 2020) and Hijrah: In the Footsteps of the Prophet (Hirmer 2022).
Inhaltsangabe
Part 1: PEOPLE AND SPACES 1. MOSQUE WAQF RECORDS: THE STORY OF BESHIR AGHA 2. AL-GHAZALI AND THE CONGREGATIONAL MOSQUE Part 2: FORM AND FUNCTION 3. THE 'BERBER' MINBAR AT ITHRA 4. ISLAMIC DOMES 5. ROW PRAYER RUGS IN MOSQUES: A STUDY IN THE PHILOSOPHY OF DESIGN AND FUNCTION Part 3: AESTHETIC PERCEPTION 6. SEMIOTIC OUTSIDE, PHENOMENOLOGICAL INSIDE: NEW HERMENEUTICS OF MOSQUE ARCHITECTURE AND ITS FUNCTION 7. DEEPENING AESTHETIC ENGAGEMENT: CONSIDERING THE CAPACITY OF PRACTICE AS RESEARCH TO INFORM AN APPROACH TO HISTORICAL OBJECTS 8. THE SONOROUS, AUDIBLE MOSQUE: A NEW PERSPECTIVE ON ISLAMIC ARCHITECTURE 9. ISLAM AND THE CONCEPT OF UMMA: PRESENTING "PRAYER AND THE MOSQUE" IN THE NEW VISITOR TRAIL AT THE MUSEUM OF ISLAMIC ART (MIA) Part 4: PRESERVATION & RIVATALIZATION 10. INSPIRED BY HERITAGE: THE MAKING AND EXHIBIT OF CONTEMPORARY MOSQUE OBJECTS AT ITHRA 11. THE ROLE OF TRADITIONAL CRAFTSMANSHIP IN THE CONTEMPORARY MOSQUE 12. THE MAMLUK MINBARS OF CAIRO: RESCUING ART, DESIGN AND HISTORY 13. MIHRAB- THE ARCHITECTURAL FORM IN CONTEMPORARY STUDIO PRACTICE
Part 1: PEOPLE AND SPACES 1. MOSQUE WAQF RECORDS: THE STORY OF BESHIR AGHA 2. AL-GHAZALI AND THE CONGREGATIONAL MOSQUE Part 2: FORM AND FUNCTION 3. THE 'BERBER' MINBAR AT ITHRA 4. ISLAMIC DOMES 5. ROW PRAYER RUGS IN MOSQUES: A STUDY IN THE PHILOSOPHY OF DESIGN AND FUNCTION Part 3: AESTHETIC PERCEPTION 6. SEMIOTIC OUTSIDE, PHENOMENOLOGICAL INSIDE: NEW HERMENEUTICS OF MOSQUE ARCHITECTURE AND ITS FUNCTION 7. DEEPENING AESTHETIC ENGAGEMENT: CONSIDERING THE CAPACITY OF PRACTICE AS RESEARCH TO INFORM AN APPROACH TO HISTORICAL OBJECTS 8. THE SONOROUS, AUDIBLE MOSQUE: A NEW PERSPECTIVE ON ISLAMIC ARCHITECTURE 9. ISLAM AND THE CONCEPT OF UMMA: PRESENTING "PRAYER AND THE MOSQUE" IN THE NEW VISITOR TRAIL AT THE MUSEUM OF ISLAMIC ART (MIA) Part 4: PRESERVATION & RIVATALIZATION 10. INSPIRED BY HERITAGE: THE MAKING AND EXHIBIT OF CONTEMPORARY MOSQUE OBJECTS AT ITHRA 11. THE ROLE OF TRADITIONAL CRAFTSMANSHIP IN THE CONTEMPORARY MOSQUE 12. THE MAMLUK MINBARS OF CAIRO: RESCUING ART, DESIGN AND HISTORY 13. MIHRAB- THE ARCHITECTURAL FORM IN CONTEMPORARY STUDIO PRACTICE
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