Big-budget, spectacular films designed to appeal to a mass audience, but is this what - or all - blockbusters are? Bringing together writings from key film scholars - such as Douglas Gomery, Peter Kramer, Jon Lewis and Steve Neale - this book addresses the work of notable blockbuster auteurs such as Steven Spielberg and James Cameron. It considers the contexts in which blockbusters are produced and what they say about Hollywood and the audience. The book also considers the movie scene outside America. First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Big-budget, spectacular films designed to appeal to a mass audience, but is this what - or all - blockbusters are? Bringing together writings from key film scholars - such as Douglas Gomery, Peter Kramer, Jon Lewis and Steve Neale - this book addresses the work of notable blockbuster auteurs such as Steven Spielberg and James Cameron. It considers the contexts in which blockbusters are produced and what they say about Hollywood and the audience. The book also considers the movie scene outside America.First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Julian Stringer, University of Nottingham, The New Hollywood Thomas Schatz Part I: Industry Matters 1. Hollywood Blockbusters: Historical Dimensions Steve Neale, Sheffield Hallam University 2. Following the Money in Amercia's Sunniest Company Town: Some notes on the political economy of Hollywood Blockbusters Jon Lewis 3. The Hollywood Blockbuster: Industrial Analysis and Practice Douglas Gomery, University of Maryland 4. The Role of the Auteur in the Age of the Blockbuster: Steven Spielberg and Dreamworks Warren Buckland, Liverpool John Moores University Part II: Exploring Spectacle 5. Talking About a Revolution: The Blockbuster as Industrial Advertisement Michael Allen, Birkbeck College 6. Spectacle Narrative and the Spectacular Hollywood Blockbuster Geoff King 7. 'Want to Take a Rice?': Reflections on the Blockbuster Experience in Contact (1997) Peter Kramer 8. Blockbusting Sound: The Case of The FugitiveGianluca Sergi Part III: Establishing Cultural Status 9. Circulations of Taste: Titanic, The Oscars and the Middle Brow Gillian Roberts 10. Sex, Controversy, Box-office: from Blockbuster to Bonkbuster Rebecca Feasey University of Nottingham 11. Star wars in Fandom, Film Theory and the Museum: the Cultural Status of the Cult Blockbuster Matt Hills, Cardiff University 12. ^The Best Place to See a Film: the Blockbuster, the Multiplex and the Contexts of Consumption Mark Jancovich, University of Nottingham> and Lucy Faire 13. Neither One Thing Nor the Other: Blockbusters at Film Festivals Julian Stringer Part IV: The Blockbuster in the International Frame 14. What's Big about the Big Film?: 'De-westernising' the Blockbuster in Korea and China Chris Berry, University of California Berkeley 15. Once Were Warriors: New Zealand's First Indigenous Blockbuster Kirsten Moana Thompson, Wayne State University 16. Television for the Big Screen: How ComodinesN Became Argentina's First Blockbuster Phenomenon amara L. Falicov, University of Kansas 17. Locating Bollywood: Notes on the Hindi Blockbuster 1975 to the Present Andrew Willis, University of Salford
Introduction Julian Stringer, University of Nottingham, The New Hollywood Thomas Schatz Part I: Industry Matters 1. Hollywood Blockbusters: Historical Dimensions Steve Neale, Sheffield Hallam University 2. Following the Money in Amercia's Sunniest Company Town: Some notes on the political economy of Hollywood Blockbusters Jon Lewis 3. The Hollywood Blockbuster: Industrial Analysis and Practice Douglas Gomery, University of Maryland 4. The Role of the Auteur in the Age of the Blockbuster: Steven Spielberg and Dreamworks Warren Buckland, Liverpool John Moores University Part II: Exploring Spectacle 5. Talking About a Revolution: The Blockbuster as Industrial Advertisement Michael Allen, Birkbeck College 6. Spectacle Narrative and the Spectacular Hollywood Blockbuster Geoff King 7. 'Want to Take a Rice?': Reflections on the Blockbuster Experience in Contact (1997) Peter Kramer 8. Blockbusting Sound: The Case of The FugitiveGianluca Sergi Part III: Establishing Cultural Status 9. Circulations of Taste: Titanic, The Oscars and the Middle Brow Gillian Roberts 10. Sex, Controversy, Box-office: from Blockbuster to Bonkbuster Rebecca Feasey University of Nottingham 11. Star wars in Fandom, Film Theory and the Museum: the Cultural Status of the Cult Blockbuster Matt Hills, Cardiff University 12. ^The Best Place to See a Film: the Blockbuster, the Multiplex and the Contexts of Consumption Mark Jancovich, University of Nottingham> and Lucy Faire 13. Neither One Thing Nor the Other: Blockbusters at Film Festivals Julian Stringer Part IV: The Blockbuster in the International Frame 14. What's Big about the Big Film?: 'De-westernising' the Blockbuster in Korea and China Chris Berry, University of California Berkeley 15. Once Were Warriors: New Zealand's First Indigenous Blockbuster Kirsten Moana Thompson, Wayne State University 16. Television for the Big Screen: How ComodinesN Became Argentina's First Blockbuster Phenomenon amara L. Falicov, University of Kansas 17. Locating Bollywood: Notes on the Hindi Blockbuster 1975 to the Present Andrew Willis, University of Salford
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