This book examines the impact that the new art of film had on another new form, science fiction, especially as it was embodied in the various pulp magazines where the genre first began to establish its identity and key themes. It argues that a film consciousness helped shape, even define 20th century science fiction.
This book examines the impact that the new art of film had on another new form, science fiction, especially as it was embodied in the various pulp magazines where the genre first began to establish its identity and key themes. It argues that a film consciousness helped shape, even define 20th century science fiction.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
J. P. Telotte is Professor of film and media studies at the Georgia Institute of Technology. His recent publications include Science Fiction TV (2014), Robot Ecology and the Science Fiction Film (2016), and Animating the Science Fiction Imagination (2017).
Inhaltsangabe
Chapter 1: Introduction: Science Fiction's "Composite" Project Chapter 2: The Pulps in the Consumer's Republic Chapter 3: The Real Thing: The Pulps Imagine Film Chapter 4: Convergence and the Rhetoric of Scientifilm Chapter 5: Cover Stories: Visualizing Film Chapter 6: Of War and Beyond Select Filmography of Early Bibliography Index
Chapter 1: Introduction: Science Fiction's "Composite" Project Chapter 2: The Pulps in the Consumer's Republic Chapter 3: The Real Thing: The Pulps Imagine Film Chapter 4: Convergence and the Rhetoric of Scientifilm Chapter 5: Cover Stories: Visualizing Film Chapter 6: Of War and Beyond Select Filmography of Early Bibliography Index
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