This book traces the development of popular cinema from its inception to the present day to understand why humankind has expanded its viewing of popular movies over the last century. Using hundreds of shots from a wide range of films, this book considers how the visual elements impact our perception, understanding, and emotional responses to specific scenes, all of which have evolved over the course of cinematic history.
This book traces the development of popular cinema from its inception to the present day to understand why humankind has expanded its viewing of popular movies over the last century. Using hundreds of shots from a wide range of films, this book considers how the visual elements impact our perception, understanding, and emotional responses to specific scenes, all of which have evolved over the course of cinematic history.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James E. Cutting is a Susan Linn Sage Professor of Psychology, Emeritus, at Cornell University, and a Fellow of the Society for Cognitive Studies of the Moving Image. He has written extensively on artistic canons and how we perceive the world around us. He has also worked in the entertainment industry at the one-time Atari Sunnyvale Research Laboratory.
Inhaltsangabe
1. The Power of Movies and a Method to Study It 2. Popular Movies and Technology 3. Viewing and Lenses 4. Mise-en-Cadre 5. Transitions 6. An Interlude on Shots and Cultural Change 7. Shots and Sound 8. The Most Important Shot in Popular Cinema 9. Continuity, Discontinuity, and Scenes 10. Montages, Sequences, and Syntagmas 11. Stories and Their Parts 12. Narrational Complexity 13. The Web and Flow of Popular Cinema 14. Structure, Evolution, and Engagement
1. The Power of Movies and a Method to Study It 2. Popular Movies and Technology 3. Viewing and Lenses 4. Mise-en-Cadre 5. Transitions 6. An Interlude on Shots and Cultural Change 7. Shots and Sound 8. The Most Important Shot in Popular Cinema 9. Continuity, Discontinuity, and Scenes 10. Montages, Sequences, and Syntagmas 11. Stories and Their Parts 12. Narrational Complexity 13. The Web and Flow of Popular Cinema 14. Structure, Evolution, and Engagement
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