This is the first book-length study of the beginnings of colour cinema. It traces the legacy of colour history from the beginning of the nineteenth century to the cinema of the early twentieth century and explores the implications of this genealogy on experimental and contemporary digital cinemas.
This is the first book-length study of the beginnings of colour cinema. It traces the legacy of colour history from the beginning of the nineteenth century to the cinema of the early twentieth century and explores the implications of this genealogy on experimental and contemporary digital cinemas.
JOSHUA YUMIBE is a lecturer in film studies at the University of St. Andrews and is also the co-director of the Davide Turconi Project preserved at George Eastmaan House, Rochester, NY.
Inhaltsangabe
List of Illustrations Foreword by Paolo Cherchi Usai Acknowledgements Introduction 1 The Colors of Modernity 2 Hand Coloring anf the Intermediality of Cinema 3 Transforming and Uplift: Stenciling, Tinting, and Toning 4 Color Cinema, fromGentility to Abstraction Conclusion Notes Selected Bibliography Index
List of Illustrations Foreword by Paolo Cherchi Usai Acknowledgements Introduction 1 The Colors of Modernity 2 Hand Coloring anf the Intermediality of Cinema 3 Transforming and Uplift: Stenciling, Tinting, and Toning 4 Color Cinema, fromGentility to Abstraction Conclusion Notes Selected Bibliography Index
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