John Fullerton is an Associate Professor in the Department of Cinema Studies, Stockholm University, and has published widely on early Swedish film. With Jan Olsson, he is editor of the Stockholm Studies in Cinema series, and edited Celebrating 1895: The Centenary of Cinema for John Libbey in 1998. He has also recently co-edited Moving Images: From Edison to the Webcam the second publication in the Stockholm Studies in Cinema series. Astrid S¿derbergh Widding is an Associate Professor in the Department of Cinema Studies, Stockholm University and is the author of a number of monographs on…mehr
John Fullerton is an Associate Professor in the Department of Cinema Studies, Stockholm University, and has published widely on early Swedish film. With Jan Olsson, he is editor of the Stockholm Studies in Cinema series, and edited Celebrating 1895: The Centenary of Cinema for John Libbey in 1998. He has also recently co-edited Moving Images: From Edison to the Webcam the second publication in the Stockholm Studies in Cinema series. Astrid S¿derbergh Widding is an Associate Professor in the Department of Cinema Studies, Stockholm University and is the author of a number of monographs on cinema. Her most recent book is Stumfilm I brytningstid: Stil och Ber¿ande I Georg at Klerchers filmer.
John Fullerton is an Associate Professor in the Department of Cinema Studies, Stockholm University, and has published widely on early Swedish film. With Jan Olsson, he is editor of the Stockholm Studies in Cinema series, and edited Celebrating 1895: The Centenary of Cinema for John Libbey in 1998. He has also recently co-edited Moving Images: From Edison to the Webcam the second publication in the Stockholm Studies in Cinema series. Astrid Söderbergh Widding is an Associate Professor in the Department of Cinema Studies, Stockholm University and is the author of a number of monographs on cinema. Her most recent book is Stumfilm I brytningstid: Stil och Berättande I Georg at Klerchers filmer.
Inhaltsangabe
Part 1Virtuality and the Ontology of the Digitalised Image Part 2Social and Cultural Implications of Cybervisuality Part 3Problematising the Prosthetic "Promise" of Optical Technologies Part 4Earlier Entertainment Forms and Moving Image and Sound Technologies
Part 1Virtuality and the Ontology of the Digitalised Image Part 2Social and Cultural Implications of Cybervisuality Part 3Problematising the Prosthetic "Promise" of Optical Technologies Part 4Earlier Entertainment Forms and Moving Image and Sound Technologies
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