Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years.
Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Art, Experimentation, and the Avant-Garde in East Germany Heraklesmaschine: Lutz Dammbeck's Experimental Cinema and the Expropriation of the Senses Lines of Communication: Mail Art and the Connectivity of Experimental Film Herz Horn Haut Schrein: Film and the Autoperforating Body of/at Work Film Experiments, Design Anthropology, and the Politics of Vision: Yana Milev's Theory of Practice Conclusion: Images of Moving Margins Notes Bibliography Index
Introduction Art, Experimentation, and the Avant-Garde in East Germany Heraklesmaschine: Lutz Dammbeck's Experimental Cinema and the Expropriation of the Senses Lines of Communication: Mail Art and the Connectivity of Experimental Film Herz Horn Haut Schrein: Film and the Autoperforating Body of/at Work Film Experiments, Design Anthropology, and the Politics of Vision: Yana Milev's Theory of Practice Conclusion: Images of Moving Margins Notes Bibliography Index
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