Hotels and motels play a leading role in a wide variety of films. This volume brings together a range of outstanding explorations of the cultural significance of stopping places, both on screen and off.
Hotels and motels play a leading role in a wide variety of films. This volume brings together a range of outstanding explorations of the cultural significance of stopping places, both on screen and off.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by David B. Clarke; Valerie Crawford Pfannhauser and Marcus A. Doel - Contributions by Stuart Aitken; Yvette Blackwood; David B. Clarke; Valerie Crawford Pfannhauser; David Scott Diffrient; Asbjorn Gronstad; Greg Hainge; James Hay; Stan Jones; Rola
Inhaltsangabe
Chapter 1 Checking In Chapter 2 Revisiting the Grand Hotel (and Its Place in the Cultural Economy of Fascist Italy) Chapter 3 Floating Hotels: Cruise Holidays and Amateur Film-making in the Inter-War Period Chapter 4 Vacancies: Hotels, Reception Desks, and Identity in American Cinema, 1929-1964 Chapter 5 The Swiss Hotel Film Chapter 6 Cinematic Topographies in Time-Space: Wim Wenders' Hotels Chapter 7 The Decay of Fiction and the Poetics of Pastness Chapter 8 'Now, Where Was I?': Memories, Motels, and Male Hysteria Chapter 9 'Just an Anonymous Room': Cinematic Hotels and Motels as Mnemonic Purgatories Chapter 10 No Sympathy for the Devil or Lobby Music: Spaces of Disjunction in Barton Fink and the The Shining and Muzak Chapter 11 Parallel Hotel Worlds Chapter 12 No Quarter(s), No Camel(s), No Exit(s): Motel Cactus and the Low Heterotopias of Seoul Chapter 13 Off the Highway: Some Notes on Stopping Places in Cinema Chapter 14 The Real of the Screen: Atom Egoyan's Speaking Parts Chapter 15 Departure: The 21st Century Hotel: Your Media/Home Away from Home
Chapter 1 Checking In Chapter 2 Revisiting the Grand Hotel (and Its Place in the Cultural Economy of Fascist Italy) Chapter 3 Floating Hotels: Cruise Holidays and Amateur Film-making in the Inter-War Period Chapter 4 Vacancies: Hotels, Reception Desks, and Identity in American Cinema, 1929-1964 Chapter 5 The Swiss Hotel Film Chapter 6 Cinematic Topographies in Time-Space: Wim Wenders' Hotels Chapter 7 The Decay of Fiction and the Poetics of Pastness Chapter 8 'Now, Where Was I?': Memories, Motels, and Male Hysteria Chapter 9 'Just an Anonymous Room': Cinematic Hotels and Motels as Mnemonic Purgatories Chapter 10 No Sympathy for the Devil or Lobby Music: Spaces of Disjunction in Barton Fink and the The Shining and Muzak Chapter 11 Parallel Hotel Worlds Chapter 12 No Quarter(s), No Camel(s), No Exit(s): Motel Cactus and the Low Heterotopias of Seoul Chapter 13 Off the Highway: Some Notes on Stopping Places in Cinema Chapter 14 The Real of the Screen: Atom Egoyan's Speaking Parts Chapter 15 Departure: The 21st Century Hotel: Your Media/Home Away from Home
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