Moving Shakespeare Indoors
Herausgeber: Gurr, Andrew; Karim-Cooper, Farah
Moving Shakespeare Indoors
Herausgeber: Gurr, Andrew; Karim-Cooper, Farah
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This book examines the conditions of the original performances in seventeenth-century indoor theatres.
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This book examines the conditions of the original performances in seventeenth-century indoor theatres.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 308
- Erscheinungstermin: 13. Januar 2015
- Englisch
- Abmessung: 235mm x 157mm x 21mm
- Gewicht: 601g
- ISBN-13: 9781107040632
- ISBN-10: 1107040639
- Artikelnr.: 40578104
- Verlag: Cambridge University Press
- Seitenzahl: 308
- Erscheinungstermin: 13. Januar 2015
- Englisch
- Abmessung: 235mm x 157mm x 21mm
- Gewicht: 601g
- ISBN-13: 9781107040632
- ISBN-10: 1107040639
- Artikelnr.: 40578104
Introduction Andrew Gurr and Farah Karim-Cooper; Part I. The Context of
Hard Evidence: 1. Why the theatres changed John H. Astington; 2. Practical
evidence for a re-imagined indoor Jacobean theatre Jon Greenfield and Peter
McCurdy; 3. Documentary evidence for an indoor Jacobean theatre Oliver
Jones; 4. Continuities and innovations in staging Mariko Ichikawa; Part II.
Materiality Indoors: 5. 'A ruinous monastery': the Second Blackfriars
playhouse as a place of nostalgia Tiffany Stern; 6. 'When torchlight made
an artificial noon': light and darkness in the indoor Jacobean theatre
Martin White; 7. Acoustic and visual practices indoors Sarah Dustagheer; 8.
The audience of the indoor theatre Penelope Woods; 9. In the event of fire
Paul Menzer; 10. To glisten in a playhouse: cosmetic beauty indoors Farah
Karim-Cooper; Part III. The New Fashions for Indoors: 11. The new fashion
for indoor plays Andrew Gurr; 12. Changing fashions: tragicomedy, romance
and heroic women in the 1630s hall-playhouses Eleanor Collins; 13. Reviving
the legacy of indoor performance Bart van Es; Appendix: list of plays
performed at indoor playhouses, 1575-1642 Sarah Dustagheer.
Hard Evidence: 1. Why the theatres changed John H. Astington; 2. Practical
evidence for a re-imagined indoor Jacobean theatre Jon Greenfield and Peter
McCurdy; 3. Documentary evidence for an indoor Jacobean theatre Oliver
Jones; 4. Continuities and innovations in staging Mariko Ichikawa; Part II.
Materiality Indoors: 5. 'A ruinous monastery': the Second Blackfriars
playhouse as a place of nostalgia Tiffany Stern; 6. 'When torchlight made
an artificial noon': light and darkness in the indoor Jacobean theatre
Martin White; 7. Acoustic and visual practices indoors Sarah Dustagheer; 8.
The audience of the indoor theatre Penelope Woods; 9. In the event of fire
Paul Menzer; 10. To glisten in a playhouse: cosmetic beauty indoors Farah
Karim-Cooper; Part III. The New Fashions for Indoors: 11. The new fashion
for indoor plays Andrew Gurr; 12. Changing fashions: tragicomedy, romance
and heroic women in the 1630s hall-playhouses Eleanor Collins; 13. Reviving
the legacy of indoor performance Bart van Es; Appendix: list of plays
performed at indoor playhouses, 1575-1642 Sarah Dustagheer.
Introduction Andrew Gurr and Farah Karim-Cooper; Part I. The Context of
Hard Evidence: 1. Why the theatres changed John H. Astington; 2. Practical
evidence for a re-imagined indoor Jacobean theatre Jon Greenfield and Peter
McCurdy; 3. Documentary evidence for an indoor Jacobean theatre Oliver
Jones; 4. Continuities and innovations in staging Mariko Ichikawa; Part II.
Materiality Indoors: 5. 'A ruinous monastery': the Second Blackfriars
playhouse as a place of nostalgia Tiffany Stern; 6. 'When torchlight made
an artificial noon': light and darkness in the indoor Jacobean theatre
Martin White; 7. Acoustic and visual practices indoors Sarah Dustagheer; 8.
The audience of the indoor theatre Penelope Woods; 9. In the event of fire
Paul Menzer; 10. To glisten in a playhouse: cosmetic beauty indoors Farah
Karim-Cooper; Part III. The New Fashions for Indoors: 11. The new fashion
for indoor plays Andrew Gurr; 12. Changing fashions: tragicomedy, romance
and heroic women in the 1630s hall-playhouses Eleanor Collins; 13. Reviving
the legacy of indoor performance Bart van Es; Appendix: list of plays
performed at indoor playhouses, 1575-1642 Sarah Dustagheer.
Hard Evidence: 1. Why the theatres changed John H. Astington; 2. Practical
evidence for a re-imagined indoor Jacobean theatre Jon Greenfield and Peter
McCurdy; 3. Documentary evidence for an indoor Jacobean theatre Oliver
Jones; 4. Continuities and innovations in staging Mariko Ichikawa; Part II.
Materiality Indoors: 5. 'A ruinous monastery': the Second Blackfriars
playhouse as a place of nostalgia Tiffany Stern; 6. 'When torchlight made
an artificial noon': light and darkness in the indoor Jacobean theatre
Martin White; 7. Acoustic and visual practices indoors Sarah Dustagheer; 8.
The audience of the indoor theatre Penelope Woods; 9. In the event of fire
Paul Menzer; 10. To glisten in a playhouse: cosmetic beauty indoors Farah
Karim-Cooper; Part III. The New Fashions for Indoors: 11. The new fashion
for indoor plays Andrew Gurr; 12. Changing fashions: tragicomedy, romance
and heroic women in the 1630s hall-playhouses Eleanor Collins; 13. Reviving
the legacy of indoor performance Bart van Es; Appendix: list of plays
performed at indoor playhouses, 1575-1642 Sarah Dustagheer.