Demonstrates that the concept of genius is as vitally needed as ever and can illuminate the workings of Mozart's creative imagination.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
EDMUND J. GOEHRING is Professor of Musicology at the University of Western Ontario, Canada.
Inhaltsangabe
Introduction: The Genius and Democracy, Part 1 PART I. HISTORY 1 An Eschatology of Influence; or, an Ingenious Mozart at the Threshold of Romanticism 2 Genius in the Marketplace PART II. ART and BIOGRAPHY 3 Mozart and Genius in Early Romantic Biography and Art Criticism 4 The Two Faces of Genius in Early Mozart Reception PART III. SCIENCE 5 Mozart among the Scientists; or, Parascience and Positivism in Mozart Reception 6 Kant on Genius and Science PART IV. CRITICISM and INTERPRETATION 7 The Excluded Subject in Recent Music Criticism 8 The Kaleidoscope and the Quintet: on Individual Talent and General Style in Mozart Afterword: The Genius and Democracy, Part 2 Appendix1 Appendix 2 Bibliography Index
Introduction: The Genius and Democracy, Part 1 PART I. HISTORY 1 An Eschatology of Influence; or, an Ingenious Mozart at the Threshold of Romanticism 2 Genius in the Marketplace PART II. ART and BIOGRAPHY 3 Mozart and Genius in Early Romantic Biography and Art Criticism 4 The Two Faces of Genius in Early Mozart Reception PART III. SCIENCE 5 Mozart among the Scientists; or, Parascience and Positivism in Mozart Reception 6 Kant on Genius and Science PART IV. CRITICISM and INTERPRETATION 7 The Excluded Subject in Recent Music Criticism 8 The Kaleidoscope and the Quintet: on Individual Talent and General Style in Mozart Afterword: The Genius and Democracy, Part 2 Appendix1 Appendix 2 Bibliography Index
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