Mozart's Chamber Music with Keyboard
Herausgeber: Harlow, Martin
Mozart's Chamber Music with Keyboard
Herausgeber: Harlow, Martin
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Renowned scholars and performers present a wide range of different perspectives on Mozart's chamber music with keyboard.
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Renowned scholars and performers present a wide range of different perspectives on Mozart's chamber music with keyboard.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 5. April 2012
- Englisch
- Abmessung: 250mm x 175mm x 21mm
- Gewicht: 700g
- ISBN-13: 9781107002487
- ISBN-10: 1107002486
- Artikelnr.: 34692271
- Verlag: Cambridge University Press
- Seitenzahl: 300
- Erscheinungstermin: 5. April 2012
- Englisch
- Abmessung: 250mm x 175mm x 21mm
- Gewicht: 700g
- ISBN-13: 9781107002487
- ISBN-10: 1107002486
- Artikelnr.: 34692271
1. The chamber music with keyboard in Mozart biography Martin Harlow; 2.
Mozart's early chamber music with keyboard: traditions of performance,
composition, and commodification Nicholas Baragwanath; 3. Opus 1, take 2:
Mozart's Mannheim and Paris sonatas for keyboard and violin Peter Walls; 4.
Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand
David: a survey of editorial and violin performance practices Robin
Stowell; 5. Mozart's keyboard trios: styles, textures and contexts Katalin
Komlós; 6. A winning strike: the miracle of Mozart's 'Kegelstatt' Colin
Lawson; 7. An experiment in variation: the finale of Mozart's Piano Trio in
G, K.496 Roman Ivanovitch; 8. On instrumental sounds, roles, genres and
performances: Mozart's Piano Quartets, K.478 and K.493 Simon P. Keefe; 9.
Enlarging the musical discourse: Mozart's Piano Quartet in G Minor, K.478
Robert S. Hatten; 10. Action, reaction and interaction, and the play of
style and genre in Mozart's Piano and Wind Quintet, K.452 Martin Harlow;
11. Inhabiting Mozart's chamber music: the fortepianist's tale John Irving;
12. Reading between the lines: the notation and performance of Mozart's
chamber music with keyboard Clive Brown; 13. Private and public forms of
art: Charles Rosen on Mozart's chamber music with keyboard Charles Rosen in
conversation.
Mozart's early chamber music with keyboard: traditions of performance,
composition, and commodification Nicholas Baragwanath; 3. Opus 1, take 2:
Mozart's Mannheim and Paris sonatas for keyboard and violin Peter Walls; 4.
Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand
David: a survey of editorial and violin performance practices Robin
Stowell; 5. Mozart's keyboard trios: styles, textures and contexts Katalin
Komlós; 6. A winning strike: the miracle of Mozart's 'Kegelstatt' Colin
Lawson; 7. An experiment in variation: the finale of Mozart's Piano Trio in
G, K.496 Roman Ivanovitch; 8. On instrumental sounds, roles, genres and
performances: Mozart's Piano Quartets, K.478 and K.493 Simon P. Keefe; 9.
Enlarging the musical discourse: Mozart's Piano Quartet in G Minor, K.478
Robert S. Hatten; 10. Action, reaction and interaction, and the play of
style and genre in Mozart's Piano and Wind Quintet, K.452 Martin Harlow;
11. Inhabiting Mozart's chamber music: the fortepianist's tale John Irving;
12. Reading between the lines: the notation and performance of Mozart's
chamber music with keyboard Clive Brown; 13. Private and public forms of
art: Charles Rosen on Mozart's chamber music with keyboard Charles Rosen in
conversation.
1. The chamber music with keyboard in Mozart biography Martin Harlow; 2.
Mozart's early chamber music with keyboard: traditions of performance,
composition, and commodification Nicholas Baragwanath; 3. Opus 1, take 2:
Mozart's Mannheim and Paris sonatas for keyboard and violin Peter Walls; 4.
Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand
David: a survey of editorial and violin performance practices Robin
Stowell; 5. Mozart's keyboard trios: styles, textures and contexts Katalin
Komlós; 6. A winning strike: the miracle of Mozart's 'Kegelstatt' Colin
Lawson; 7. An experiment in variation: the finale of Mozart's Piano Trio in
G, K.496 Roman Ivanovitch; 8. On instrumental sounds, roles, genres and
performances: Mozart's Piano Quartets, K.478 and K.493 Simon P. Keefe; 9.
Enlarging the musical discourse: Mozart's Piano Quartet in G Minor, K.478
Robert S. Hatten; 10. Action, reaction and interaction, and the play of
style and genre in Mozart's Piano and Wind Quintet, K.452 Martin Harlow;
11. Inhabiting Mozart's chamber music: the fortepianist's tale John Irving;
12. Reading between the lines: the notation and performance of Mozart's
chamber music with keyboard Clive Brown; 13. Private and public forms of
art: Charles Rosen on Mozart's chamber music with keyboard Charles Rosen in
conversation.
Mozart's early chamber music with keyboard: traditions of performance,
composition, and commodification Nicholas Baragwanath; 3. Opus 1, take 2:
Mozart's Mannheim and Paris sonatas for keyboard and violin Peter Walls; 4.
Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand
David: a survey of editorial and violin performance practices Robin
Stowell; 5. Mozart's keyboard trios: styles, textures and contexts Katalin
Komlós; 6. A winning strike: the miracle of Mozart's 'Kegelstatt' Colin
Lawson; 7. An experiment in variation: the finale of Mozart's Piano Trio in
G, K.496 Roman Ivanovitch; 8. On instrumental sounds, roles, genres and
performances: Mozart's Piano Quartets, K.478 and K.493 Simon P. Keefe; 9.
Enlarging the musical discourse: Mozart's Piano Quartet in G Minor, K.478
Robert S. Hatten; 10. Action, reaction and interaction, and the play of
style and genre in Mozart's Piano and Wind Quintet, K.452 Martin Harlow;
11. Inhabiting Mozart's chamber music: the fortepianist's tale John Irving;
12. Reading between the lines: the notation and performance of Mozart's
chamber music with keyboard Clive Brown; 13. Private and public forms of
art: Charles Rosen on Mozart's chamber music with keyboard Charles Rosen in
conversation.