1. The chamber music with keyboard in Mozart biography Martin Harlow; 2. Mozart's early chamber music with keyboard: traditions of performance, composition, and commodification Nicholas Baragwanath; 3. Opus 1, take 2: Mozart's Mannheim and Paris sonatas for keyboard and violin Peter Walls; 4. Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand David: a survey of editorial and violin performance practices Robin Stowell; 5. Mozart's keyboard trios: styles, textures and contexts Katalin Komlós; 6. A winning strike: the miracle of Mozart's 'Kegelstatt' Colin Lawson; 7. An experiment in variation: the finale of Mozart's Piano Trio in G, K.496 Roman Ivanovitch; 8. On instrumental sounds, roles, genres and performances: Mozart's Piano Quartets, K.478 and K.493 Simon P. Keefe; 9. Enlarging the musical discourse: Mozart's Piano Quartet in G Minor, K.478 Robert S. Hatten; 10. Action, reaction and interaction, and the play of style and genre in Mozart's Piano and Wind Quintet, K.452 Martin Harlow; 11. Inhabiting Mozart's chamber music: the fortepianist's tale John Irving; 12. Reading between the lines: the notation and performance of Mozart's chamber music with keyboard Clive Brown; 13. Private and public forms of art: Charles Rosen on Mozart's chamber music with keyboard Charles Rosen in conversation.
1. The chamber music with keyboard in Mozart biography Martin Harlow; 2. Mozart's early chamber music with keyboard: traditions of performance, composition, and commodification Nicholas Baragwanath; 3. Opus 1, take 2: Mozart's Mannheim and Paris sonatas for keyboard and violin Peter Walls; 4. Mozart's 'Viennese' sonatas for keyboard and violin according to Ferdinand David: a survey of editorial and violin performance practices Robin Stowell; 5. Mozart's keyboard trios: styles, textures and contexts Katalin Komlós; 6. A winning strike: the miracle of Mozart's 'Kegelstatt' Colin Lawson; 7. An experiment in variation: the finale of Mozart's Piano Trio in G, K.496 Roman Ivanovitch; 8. On instrumental sounds, roles, genres and performances: Mozart's Piano Quartets, K.478 and K.493 Simon P. Keefe; 9. Enlarging the musical discourse: Mozart's Piano Quartet in G Minor, K.478 Robert S. Hatten; 10. Action, reaction and interaction, and the play of style and genre in Mozart's Piano and Wind Quintet, K.452 Martin Harlow; 11. Inhabiting Mozart's chamber music: the fortepianist's tale John Irving; 12. Reading between the lines: the notation and performance of Mozart's chamber music with keyboard Clive Brown; 13. Private and public forms of art: Charles Rosen on Mozart's chamber music with keyboard Charles Rosen in conversation.
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