Mark Everist is a muscologist whose field of study includes the music of Western Europe, 1150-1350, music in France between the Restoration and Commune, Music and Cultural Transfer, and Mozart reception. He is Professor of Music and Associate Dean at the University of Southamton and President of the Royal Musical Association.
Inhaltsangabe
Preface Acknowledgements List of Music Examples List of Tables List of Figures 1. Introduction Part I: Phantoms of the Opera 2. Phantoms of the Opera 3. Mozart and L'impresario 4. The Commendatore and the Clavier Part II: Holy Spirits 5. "Mozart's " "Twelfth Mass "; Case Closed? 6. Enshrining Mozart: Don Giovanni and the Viardot Circle Part III: Specters at the Feast 7. Mozart in Two Worlds: the Writings on Music of Blaze de Bury 8. Speaking with the Supernatural: E.T.A. Hoffmann, George Bernard Shaw and Die Oper aller Opern 9. The Specter at the Feast: Elvira Madigan and its Legacy 10. Conclusion: The Mozart Effect Bibliography Index
Preface Acknowledgements List of Music Examples List of Tables List of Figures 1. Introduction Part I: Phantoms of the Opera 2. Phantoms of the Opera 3. Mozart and L'impresario 4. The Commendatore and the Clavier Part II: Holy Spirits 5. "Mozart's " "Twelfth Mass "; Case Closed? 6. Enshrining Mozart: Don Giovanni and the Viardot Circle Part III: Specters at the Feast 7. Mozart in Two Worlds: the Writings on Music of Blaze de Bury 8. Speaking with the Supernatural: E.T.A. Hoffmann, George Bernard Shaw and Die Oper aller Opern 9. The Specter at the Feast: Elvira Madigan and its Legacy 10. Conclusion: The Mozart Effect Bibliography Index
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