Jonathan Sterne shows that understanding the historical meaning of the MP3, the world's most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication history.
Jonathan Sterne shows that understanding the historical meaning of the MP3, the world's most common format for recorded audio, involves rethinking the place of digital technologies in the broader universe of twentieth-century communication history.
Acknowledgments ix Format Theory 1 1. Perceptual Techniques 32 2. Nature Builds No Telephones 61 3. Perceptual Coding and the Domestication of Noise 92 4. Making a Standard 128 5. Of MPEG, Measurement,and Men 148 6. Is Music a Thing? 184 The End of MP3 227 Notes 247 List of Interviews 295 Bibliography 299 Index 331
Acknowledgments ix Format Theory 1 1. Perceptual Techniques 32 2. Nature Builds No Telephones 61 3. Perceptual Coding and the Domestication of Noise 92 4. Making a Standard 128 5. Of MPEG, Measurement,and Men 148 6. Is Music a Thing? 184 The End of MP3 227 Notes 247 List of Interviews 295 Bibliography 299 Index 331
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