Exploring a wide range of mainstream and independent comic books, this is the first comprehensive collection of scholarly and archival work on multicultural comics from around the world.
Exploring a wide range of mainstream and independent comic books, this is the first comprehensive collection of scholarly and archival work on multicultural comics from around the world.
1. Foreword; Or Reading within the Gutter (Derek Parker Royal) 2. Multicultural Comics Today: A Brief Introduction (Frederick Luis Aldama) 3. Part I. History, Concepts, and Methods * One. Race and Comix (Leonard Rifas) * Two. "Authentic" Latinas/os and Queer Characters in Mainstream and Alternative Comics (Jonathan Risner) * Three. Native American Narratives from Early Art to Graphic Novels: How We See Stories / Ezhi-g'waabmaananig Aadizookaanag (Margaret Noori) * Four. Liminality and Mestiza Consciousness in Lynda Barry's One Hundred Demons (Melinda L. de Jesús) * Five. Black Nationalism, Bunraku, and Beyond: Articulating Black Heroism through Cultural Fusion and Comics (Rebecca Wanzo) * Six. Birth of a Nation: Representation, Nationhood, and Graphic Revolution in the Works of D. W. Griffith, DJ Spooky, and Aaron McGruder et al. (James Braxton Peterson) * Seven. Lost in Translation: Jessica Abel's La Perdida, the Bildungsroman, and "That 'Mexican' Feel" (Patrick L. Hamilton) * Eight. Same Difference: Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim (Jared Gardner) 4. Part II. A Multicultural Comic Book Toolbox * Nine. "It ain't John Shaft": Marvel Gets Multicultural in The Tomb of Dracula (Elizabeth Nixon) * Ten. Invisible Art, Invisible Planes, Invisible People (Evan Thomas) * Eleven. Wondrous Capers: The Graphic Novel in India (Suhaan Mehta) * Twelve. Chronology, Country, and Consciousness in Wilfred Santiago's In My Darkest Hour (Nicholas Hetrick) * Thirteen. Finding Archives/Making Archives: Observations on Conducting Multicultural Comics Research (Jenny E. Robb and Rebecca Wanzo) 5. Works Cited 6. Contributor Notes 7. Index
1. Foreword; Or Reading within the Gutter (Derek Parker Royal) 2. Multicultural Comics Today: A Brief Introduction (Frederick Luis Aldama) 3. Part I. History, Concepts, and Methods * One. Race and Comix (Leonard Rifas) * Two. "Authentic" Latinas/os and Queer Characters in Mainstream and Alternative Comics (Jonathan Risner) * Three. Native American Narratives from Early Art to Graphic Novels: How We See Stories / Ezhi-g'waabmaananig Aadizookaanag (Margaret Noori) * Four. Liminality and Mestiza Consciousness in Lynda Barry's One Hundred Demons (Melinda L. de Jesús) * Five. Black Nationalism, Bunraku, and Beyond: Articulating Black Heroism through Cultural Fusion and Comics (Rebecca Wanzo) * Six. Birth of a Nation: Representation, Nationhood, and Graphic Revolution in the Works of D. W. Griffith, DJ Spooky, and Aaron McGruder et al. (James Braxton Peterson) * Seven. Lost in Translation: Jessica Abel's La Perdida, the Bildungsroman, and "That 'Mexican' Feel" (Patrick L. Hamilton) * Eight. Same Difference: Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim (Jared Gardner) 4. Part II. A Multicultural Comic Book Toolbox * Nine. "It ain't John Shaft": Marvel Gets Multicultural in The Tomb of Dracula (Elizabeth Nixon) * Ten. Invisible Art, Invisible Planes, Invisible People (Evan Thomas) * Eleven. Wondrous Capers: The Graphic Novel in India (Suhaan Mehta) * Twelve. Chronology, Country, and Consciousness in Wilfred Santiago's In My Darkest Hour (Nicholas Hetrick) * Thirteen. Finding Archives/Making Archives: Observations on Conducting Multicultural Comics Research (Jenny E. Robb and Rebecca Wanzo) 5. Works Cited 6. Contributor Notes 7. Index
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