Jacopo Castaldi
Multimodality, Ideology and Manipulation
BBC Travel Documentaries and the Illusion of Empire
Jacopo Castaldi
Multimodality, Ideology and Manipulation
BBC Travel Documentaries and the Illusion of Empire
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This book examines how sociopolitical and intercultural ideologies surrounding globalization and neoliberalism are constructed and negotiated in travel documentaries, focusing on the BBC's role in reproducing neo-imperialistic and neoliberal values.
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This book examines how sociopolitical and intercultural ideologies surrounding globalization and neoliberalism are constructed and negotiated in travel documentaries, focusing on the BBC's role in reproducing neo-imperialistic and neoliberal values.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 300
- Erscheinungstermin: 29. April 2025
- Englisch
- Abmessung: 229mm x 152mm
- ISBN-13: 9781032744933
- ISBN-10: 1032744936
- Artikelnr.: 71955375
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 300
- Erscheinungstermin: 29. April 2025
- Englisch
- Abmessung: 229mm x 152mm
- ISBN-13: 9781032744933
- ISBN-10: 1032744936
- Artikelnr.: 71955375
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Jacopo Castaldi is a Senior Lecturer in the Centre for Language and Linguistics at Canterbury Christ Church University, UK.
Contents
List of Figures
List of Tables
Appendices
Acknowledgements
1. Introduction
1.1. Setting the stage: neoliberalism, globalisation and international
exploitation
1.2. Media discourse and hegemony
1.3. Ideology and manipulation
1.4. A cognitive approach to Multimodal Critical Discourse Analysis
1.4.1. Multimodal Critical Discourse Analysis
1.4.2. Text interpretation and reception studies
1.4.3. Relevance Theory, cognition and media effects
1.5. Aims, data and method
1.5.1. Participant data
1.5.2. Text data
1.6. Organisation of the book
2. The UK media landscape between public service, neoliberalism and
national interest
2.1. Mass media communication
2.2. Media ownership in the U.K.
2.2.1. State owned media: the BBC
2.2.2. Private media ownership
2.3. Control within the neoliberal paradigm
2.4. Neoliberalism
2.5. Critical Studies of the BBC
2.6. Conclusion
3. Researching media effects: cognitive multimodality and reception studies
3.1. A Critical Realist approach to the study of media effects
3.2. Gramsci, civil societies and hegemony
3.3. Manipulation, epistemic vigilance and media effects
3.4. Ideology building through media discourse: a cognitive multimodal
approach
3.4.1. Multimodality and representation
3.4.2. Multimodal analysis of film
3.4.3. Multimodality, cognition and the filmic text
3.4.4. Relevance Theory and ideology building
3.5. Conclusion
4. The 'Rohingya Crisis' in Myanmar
4.1. Contextual information about the participant and the text
4.1.1. The participant
4.1.2. The text
4.2. The media interaction
4.2.1. Epistemic vigilance towards the source
4.2.2. Epistemic vigilance towards the content
4.3. Multimodal critical discourse analysis of actors, places and events
4.3.1. The Rohingya
4.3.2. The ARSA militants
4.3.3. The military
4.3.4. Aung San Suu Kyi
4.3.5. The international community
4.3.6. The MaBaTha monks
4.3.7. The Burmese people
4.3.8. Critical observations
4.4. Cognitive analysis
4.5. Conclusion
5. Mali between music, history and politics
5.1. Contextual information about the participant and the text
5.1.1. The participant
5.1.2. The text
5.2. The media interaction
5.2.1. Epistemic vigilance towards the source
5.2.2. Epistemic vigilance towards the content
5.3. Multimodal critical discourse analysis of actors, places and events
5.3.1. Thematic level 1: the musicians, traditional Malian instruments,
music and Malian society
5.3.2. Thematic level 2: the role of Griots in Malian society, politics,
feminism
5.4. Cognitive analysis
5.5. Conclusion
6. The 'making' of Australia
6.1. Contextual information about the participant and the text
6.1.1. The participant
6.1.2. The text
6.2. The media interaction
6.2.1. Epistemic vigilance towards the source
6.2.2. Epistemic vigilance towards the content
6.3. Multimodal critical discourse analysis of actors, places and events
6.3.1. Part 2
6.3.2. Part 3
6.3.3. Part 4
6.3.4. Part 5
6.3.5. Part 6
6.3.6. Part 7
6.3.7. Part 8
6.4. Cognitive analysis
6.5. Conclusion
7. Media effects, ideology and manipulation
7.1. Audience research and agency
7.2. Evidential effects and contextual filters
7.3. Ideological effects
7.3.1. Modifying ideological effects
7.3.2. Improving ideological effects
7.4. Multimodal manipulation of the epistemic vigilance towards the source
7.4.1. The text producers
7.4.2. The hosts and the experts
7.5. Multimodal manipulation of the epistemic vigilance towards the conent
7.5.1. Constraints on context selection
7.5.2. Constraints on the emotional response
7.6. Critical considerations and conclusions
8. Conclusion
8.1. Summary of findings
8.2. Methodological reflections and implications
8.3. Theoretical reflections and implications
8.4. Direction for further research
8.5. Conclusion
Index
List of Figures
List of Tables
Appendices
Acknowledgements
1. Introduction
1.1. Setting the stage: neoliberalism, globalisation and international
exploitation
1.2. Media discourse and hegemony
1.3. Ideology and manipulation
1.4. A cognitive approach to Multimodal Critical Discourse Analysis
1.4.1. Multimodal Critical Discourse Analysis
1.4.2. Text interpretation and reception studies
1.4.3. Relevance Theory, cognition and media effects
1.5. Aims, data and method
1.5.1. Participant data
1.5.2. Text data
1.6. Organisation of the book
2. The UK media landscape between public service, neoliberalism and
national interest
2.1. Mass media communication
2.2. Media ownership in the U.K.
2.2.1. State owned media: the BBC
2.2.2. Private media ownership
2.3. Control within the neoliberal paradigm
2.4. Neoliberalism
2.5. Critical Studies of the BBC
2.6. Conclusion
3. Researching media effects: cognitive multimodality and reception studies
3.1. A Critical Realist approach to the study of media effects
3.2. Gramsci, civil societies and hegemony
3.3. Manipulation, epistemic vigilance and media effects
3.4. Ideology building through media discourse: a cognitive multimodal
approach
3.4.1. Multimodality and representation
3.4.2. Multimodal analysis of film
3.4.3. Multimodality, cognition and the filmic text
3.4.4. Relevance Theory and ideology building
3.5. Conclusion
4. The 'Rohingya Crisis' in Myanmar
4.1. Contextual information about the participant and the text
4.1.1. The participant
4.1.2. The text
4.2. The media interaction
4.2.1. Epistemic vigilance towards the source
4.2.2. Epistemic vigilance towards the content
4.3. Multimodal critical discourse analysis of actors, places and events
4.3.1. The Rohingya
4.3.2. The ARSA militants
4.3.3. The military
4.3.4. Aung San Suu Kyi
4.3.5. The international community
4.3.6. The MaBaTha monks
4.3.7. The Burmese people
4.3.8. Critical observations
4.4. Cognitive analysis
4.5. Conclusion
5. Mali between music, history and politics
5.1. Contextual information about the participant and the text
5.1.1. The participant
5.1.2. The text
5.2. The media interaction
5.2.1. Epistemic vigilance towards the source
5.2.2. Epistemic vigilance towards the content
5.3. Multimodal critical discourse analysis of actors, places and events
5.3.1. Thematic level 1: the musicians, traditional Malian instruments,
music and Malian society
5.3.2. Thematic level 2: the role of Griots in Malian society, politics,
feminism
5.4. Cognitive analysis
5.5. Conclusion
6. The 'making' of Australia
6.1. Contextual information about the participant and the text
6.1.1. The participant
6.1.2. The text
6.2. The media interaction
6.2.1. Epistemic vigilance towards the source
6.2.2. Epistemic vigilance towards the content
6.3. Multimodal critical discourse analysis of actors, places and events
6.3.1. Part 2
6.3.2. Part 3
6.3.3. Part 4
6.3.4. Part 5
6.3.5. Part 6
6.3.6. Part 7
6.3.7. Part 8
6.4. Cognitive analysis
6.5. Conclusion
7. Media effects, ideology and manipulation
7.1. Audience research and agency
7.2. Evidential effects and contextual filters
7.3. Ideological effects
7.3.1. Modifying ideological effects
7.3.2. Improving ideological effects
7.4. Multimodal manipulation of the epistemic vigilance towards the source
7.4.1. The text producers
7.4.2. The hosts and the experts
7.5. Multimodal manipulation of the epistemic vigilance towards the conent
7.5.1. Constraints on context selection
7.5.2. Constraints on the emotional response
7.6. Critical considerations and conclusions
8. Conclusion
8.1. Summary of findings
8.2. Methodological reflections and implications
8.3. Theoretical reflections and implications
8.4. Direction for further research
8.5. Conclusion
Index
Contents
List of Figures
List of Tables
Appendices
Acknowledgements
1. Introduction
1.1. Setting the stage: neoliberalism, globalisation and international
exploitation
1.2. Media discourse and hegemony
1.3. Ideology and manipulation
1.4. A cognitive approach to Multimodal Critical Discourse Analysis
1.4.1. Multimodal Critical Discourse Analysis
1.4.2. Text interpretation and reception studies
1.4.3. Relevance Theory, cognition and media effects
1.5. Aims, data and method
1.5.1. Participant data
1.5.2. Text data
1.6. Organisation of the book
2. The UK media landscape between public service, neoliberalism and
national interest
2.1. Mass media communication
2.2. Media ownership in the U.K.
2.2.1. State owned media: the BBC
2.2.2. Private media ownership
2.3. Control within the neoliberal paradigm
2.4. Neoliberalism
2.5. Critical Studies of the BBC
2.6. Conclusion
3. Researching media effects: cognitive multimodality and reception studies
3.1. A Critical Realist approach to the study of media effects
3.2. Gramsci, civil societies and hegemony
3.3. Manipulation, epistemic vigilance and media effects
3.4. Ideology building through media discourse: a cognitive multimodal
approach
3.4.1. Multimodality and representation
3.4.2. Multimodal analysis of film
3.4.3. Multimodality, cognition and the filmic text
3.4.4. Relevance Theory and ideology building
3.5. Conclusion
4. The 'Rohingya Crisis' in Myanmar
4.1. Contextual information about the participant and the text
4.1.1. The participant
4.1.2. The text
4.2. The media interaction
4.2.1. Epistemic vigilance towards the source
4.2.2. Epistemic vigilance towards the content
4.3. Multimodal critical discourse analysis of actors, places and events
4.3.1. The Rohingya
4.3.2. The ARSA militants
4.3.3. The military
4.3.4. Aung San Suu Kyi
4.3.5. The international community
4.3.6. The MaBaTha monks
4.3.7. The Burmese people
4.3.8. Critical observations
4.4. Cognitive analysis
4.5. Conclusion
5. Mali between music, history and politics
5.1. Contextual information about the participant and the text
5.1.1. The participant
5.1.2. The text
5.2. The media interaction
5.2.1. Epistemic vigilance towards the source
5.2.2. Epistemic vigilance towards the content
5.3. Multimodal critical discourse analysis of actors, places and events
5.3.1. Thematic level 1: the musicians, traditional Malian instruments,
music and Malian society
5.3.2. Thematic level 2: the role of Griots in Malian society, politics,
feminism
5.4. Cognitive analysis
5.5. Conclusion
6. The 'making' of Australia
6.1. Contextual information about the participant and the text
6.1.1. The participant
6.1.2. The text
6.2. The media interaction
6.2.1. Epistemic vigilance towards the source
6.2.2. Epistemic vigilance towards the content
6.3. Multimodal critical discourse analysis of actors, places and events
6.3.1. Part 2
6.3.2. Part 3
6.3.3. Part 4
6.3.4. Part 5
6.3.5. Part 6
6.3.6. Part 7
6.3.7. Part 8
6.4. Cognitive analysis
6.5. Conclusion
7. Media effects, ideology and manipulation
7.1. Audience research and agency
7.2. Evidential effects and contextual filters
7.3. Ideological effects
7.3.1. Modifying ideological effects
7.3.2. Improving ideological effects
7.4. Multimodal manipulation of the epistemic vigilance towards the source
7.4.1. The text producers
7.4.2. The hosts and the experts
7.5. Multimodal manipulation of the epistemic vigilance towards the conent
7.5.1. Constraints on context selection
7.5.2. Constraints on the emotional response
7.6. Critical considerations and conclusions
8. Conclusion
8.1. Summary of findings
8.2. Methodological reflections and implications
8.3. Theoretical reflections and implications
8.4. Direction for further research
8.5. Conclusion
Index
List of Figures
List of Tables
Appendices
Acknowledgements
1. Introduction
1.1. Setting the stage: neoliberalism, globalisation and international
exploitation
1.2. Media discourse and hegemony
1.3. Ideology and manipulation
1.4. A cognitive approach to Multimodal Critical Discourse Analysis
1.4.1. Multimodal Critical Discourse Analysis
1.4.2. Text interpretation and reception studies
1.4.3. Relevance Theory, cognition and media effects
1.5. Aims, data and method
1.5.1. Participant data
1.5.2. Text data
1.6. Organisation of the book
2. The UK media landscape between public service, neoliberalism and
national interest
2.1. Mass media communication
2.2. Media ownership in the U.K.
2.2.1. State owned media: the BBC
2.2.2. Private media ownership
2.3. Control within the neoliberal paradigm
2.4. Neoliberalism
2.5. Critical Studies of the BBC
2.6. Conclusion
3. Researching media effects: cognitive multimodality and reception studies
3.1. A Critical Realist approach to the study of media effects
3.2. Gramsci, civil societies and hegemony
3.3. Manipulation, epistemic vigilance and media effects
3.4. Ideology building through media discourse: a cognitive multimodal
approach
3.4.1. Multimodality and representation
3.4.2. Multimodal analysis of film
3.4.3. Multimodality, cognition and the filmic text
3.4.4. Relevance Theory and ideology building
3.5. Conclusion
4. The 'Rohingya Crisis' in Myanmar
4.1. Contextual information about the participant and the text
4.1.1. The participant
4.1.2. The text
4.2. The media interaction
4.2.1. Epistemic vigilance towards the source
4.2.2. Epistemic vigilance towards the content
4.3. Multimodal critical discourse analysis of actors, places and events
4.3.1. The Rohingya
4.3.2. The ARSA militants
4.3.3. The military
4.3.4. Aung San Suu Kyi
4.3.5. The international community
4.3.6. The MaBaTha monks
4.3.7. The Burmese people
4.3.8. Critical observations
4.4. Cognitive analysis
4.5. Conclusion
5. Mali between music, history and politics
5.1. Contextual information about the participant and the text
5.1.1. The participant
5.1.2. The text
5.2. The media interaction
5.2.1. Epistemic vigilance towards the source
5.2.2. Epistemic vigilance towards the content
5.3. Multimodal critical discourse analysis of actors, places and events
5.3.1. Thematic level 1: the musicians, traditional Malian instruments,
music and Malian society
5.3.2. Thematic level 2: the role of Griots in Malian society, politics,
feminism
5.4. Cognitive analysis
5.5. Conclusion
6. The 'making' of Australia
6.1. Contextual information about the participant and the text
6.1.1. The participant
6.1.2. The text
6.2. The media interaction
6.2.1. Epistemic vigilance towards the source
6.2.2. Epistemic vigilance towards the content
6.3. Multimodal critical discourse analysis of actors, places and events
6.3.1. Part 2
6.3.2. Part 3
6.3.3. Part 4
6.3.4. Part 5
6.3.5. Part 6
6.3.6. Part 7
6.3.7. Part 8
6.4. Cognitive analysis
6.5. Conclusion
7. Media effects, ideology and manipulation
7.1. Audience research and agency
7.2. Evidential effects and contextual filters
7.3. Ideological effects
7.3.1. Modifying ideological effects
7.3.2. Improving ideological effects
7.4. Multimodal manipulation of the epistemic vigilance towards the source
7.4.1. The text producers
7.4.2. The hosts and the experts
7.5. Multimodal manipulation of the epistemic vigilance towards the conent
7.5.1. Constraints on context selection
7.5.2. Constraints on the emotional response
7.6. Critical considerations and conclusions
8. Conclusion
8.1. Summary of findings
8.2. Methodological reflections and implications
8.3. Theoretical reflections and implications
8.4. Direction for further research
8.5. Conclusion
Index