Around the world, visitors are drawn to visit murals painted on walls that express something about the politics, heritage and identity of the locations being visited. In some cases, murals created for political purposes become a point of interest for visitors; in others, murals have been painted to stimulate local economic development through tourism. This book focuses on murals painted at sites of conflict that are part of peace processes, with increasingly significant importance for tourism. In this interdisciplinary and highly international volume, the diverse messaging of murals, their…mehr
Around the world, visitors are drawn to visit murals painted on walls that express something about the politics, heritage and identity of the locations being visited. In some cases, murals created for political purposes become a point of interest for visitors; in others, murals have been painted to stimulate local economic development through tourism. This book focuses on murals painted at sites of conflict that are part of peace processes, with increasingly significant importance for tourism. In this interdisciplinary and highly international volume, the diverse messaging of murals, their production, interpretation, marketing and - in some cases - destruction is explored.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jonathan Skinner is Reader in Social Anthropology in the Department of Life Sciences, University of Roehampton, UK. Lee Jolliffe is Professor of Hospitality and Tourism in the Faculty of Business at the University of New Brunswick, Canada.
Inhaltsangabe
Part I: Introduction 1. 'Wall-to-wall coverage': an introduction to murals tourism Jonathan Skinner and Lee Jolliffe Part II: Heritage 2. Heritage murals as tourist attractions in Ravenna, Moldavia and Istanbul: artistic treasures, cultural identities and political statements Warwick Frost and Jennifer Laing 3. From 'sacred images' to 'tourist images'? The fourteenth-century frescoes of Santa Croce, Florence Russell Staiff 4. The walls speak. Mexican popular graphics as heritage Martín M. Checa- Artasu 5. Tourism, voyeurism and the media ecologies of Tehran's mural arts Pamela Karimi Part III: Politics 6. La Carbonería: an alternative transformation of public space Plácido Muñoz Morán 7. Murals as sticking plasters: improving the image of an eastern German city for visitors and residents Gareth E. Hamilton 8. Difference upon the walls: hygienizing policies and the use of graffiti against pixação in São Paulo Paula Larruscahim and Paul Schweizer Part IV: Identity 9. A journey through public art in Douala: framing the identity of New Bell neighbourhood Marta Pucciarelli and Lorenzo Cantoni 10. Visiting murals and healing the past of racial injustice in divided Detroit Deborah Che 11. Visiting murals and grafitti art in Brazil Angela C. Flecha, Cristina Jönsson and D'Arcy Dornan 12. Balancing Uruguayan identity and sustainable economic development through street art María de Miguel Molina, Virginia Santamarina Campos, Blanca de Miguel Molina and Eva Martínez Carazo Part V: Northern Ireland 13. State intervention in re-imaging Northern Ireland's political murals: implications for tourism and the communities Maria T. Simone-Charteris 14. The Gaeltacht Quarter of Mural City: Irish in Falls Road murals Siun Carden 15. Extra-mural activities and trauma tourism: public and community sector re-imaging of street art in Belfast Katy Radford Part VI: Future Directions 16. Murals as a tool for action research Rebecca Yeo
Part I: Introduction 1. 'Wall-to-wall coverage': an introduction to murals tourism Jonathan Skinner and Lee Jolliffe Part II: Heritage 2. Heritage murals as tourist attractions in Ravenna, Moldavia and Istanbul: artistic treasures, cultural identities and political statements Warwick Frost and Jennifer Laing 3. From 'sacred images' to 'tourist images'? The fourteenth-century frescoes of Santa Croce, Florence Russell Staiff 4. The walls speak. Mexican popular graphics as heritage Martín M. Checa- Artasu 5. Tourism, voyeurism and the media ecologies of Tehran's mural arts Pamela Karimi Part III: Politics 6. La Carbonería: an alternative transformation of public space Plácido Muñoz Morán 7. Murals as sticking plasters: improving the image of an eastern German city for visitors and residents Gareth E. Hamilton 8. Difference upon the walls: hygienizing policies and the use of graffiti against pixação in São Paulo Paula Larruscahim and Paul Schweizer Part IV: Identity 9. A journey through public art in Douala: framing the identity of New Bell neighbourhood Marta Pucciarelli and Lorenzo Cantoni 10. Visiting murals and healing the past of racial injustice in divided Detroit Deborah Che 11. Visiting murals and grafitti art in Brazil Angela C. Flecha, Cristina Jönsson and D'Arcy Dornan 12. Balancing Uruguayan identity and sustainable economic development through street art María de Miguel Molina, Virginia Santamarina Campos, Blanca de Miguel Molina and Eva Martínez Carazo Part V: Northern Ireland 13. State intervention in re-imaging Northern Ireland's political murals: implications for tourism and the communities Maria T. Simone-Charteris 14. The Gaeltacht Quarter of Mural City: Irish in Falls Road murals Siun Carden 15. Extra-mural activities and trauma tourism: public and community sector re-imaging of street art in Belfast Katy Radford Part VI: Future Directions 16. Murals as a tool for action research Rebecca Yeo
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