MUSES III - Galos, Z J
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The poet had been waking to fine experiences of his conscious being, whereby the transition area, between the subconscious and the conscious levels, opened up a garden of earthly and spiritual delights, as a designed stage upon a stage by one of his favourite Muses, he calls his 'A-Muse'. So, waking in love seemed to fit the description. Into this garden, he'd commute daily and would meet and communicate with artists of fame and also with talented contemporaries, while his Muses danced in a traditional sensual roundabout in and out of his room, high above the rooftops of Vienna,

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Produktbeschreibung
The poet had been waking to fine experiences of his conscious being, whereby the transition area, between the subconscious and the conscious levels, opened up a garden of earthly and spiritual delights, as a designed stage upon a stage by one of his favourite Muses, he calls his 'A-Muse'. So, waking in love seemed to fit the description. Into this garden, he'd commute daily and would meet and communicate with artists of fame and also with talented contemporaries, while his Muses danced in a traditional sensual roundabout in and out of his room, high above the rooftops of Vienna,
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Autorenporträt
Born in Eastern Austria, close to the Hungarian border, he witnessed the horrors of a nation's suppression, erupting in the Hungarian Revolution of 1956. He finished his education in art and architecture in Vienna, married, and sailed for the Cape of Good Hope, an adventure that followed his childhood dreams. He had drawn African animals for his art classes, but the time had come to see them in their natural habitat. Meeting a varied facet of people and cultures, working as a draughtsman in an engineering office, as an architect for a cultural centre, and as a coordinator of craftsmen and professionals, he made good use of his language skills traveling throughout Southern Africa. During a trip to Lesotho, a native artist showed him rock paintings with their stark palimpsest outlines and with typified movements of animals and humans. It made a lasting impression on him and influenced his artistic work. His vast collection of drawings and slides had been lost during a change of domiciles, but further studies of the art of the San people reawakened his dormant artistic longing for expression of his art, filling sketchbooks with drawings and notepads with poetry and prose. While revisiting the capitals of Europe, he sensed the bond of art being borderless and free, reaching out across continents into the world. During a visit to Greece, he was accepted into a circle of artists and poets, who encouraged him to continue his art and a friend introduced him to the works of famous Greek poets. In South Africa, he joined the writing and poetry workshops of Writers Write. It was to open the floodgates of his creativity. He decided to travel through Greece and visit its sites of antiquity, read up on Classical mythology, and enjoy translations of Greek poetry and prose. He settled 2013/14 in Klosterneuburg-Weidling. Poet Nikolaus Lenau is buried here. Franz Kafka has visited here. Their writings will always be an inspiration.