Muses IV - Galos, Z J
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In MUSES IV, 'Magic Unisons', as the title indicates, the word magic explains best those moments, when during the process of composing word sequences that gradually become verses and stanzas, and could lead to a whole cycle of compositions, like in the 'Chants of a Traveling Bard'.For love, in 'Magic Unisons', transferred into many shades of enjoyment and happy feelings, one's Muses certainly stimulate the poet with their sensual impulses: This cannot be stored like goods, but the traces of those happy moments are still embedded in the poet's soul and the souls of all people engaged in…mehr

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Produktbeschreibung
In MUSES IV, 'Magic Unisons', as the title indicates, the word magic explains best those moments, when during the process of composing word sequences that gradually become verses and stanzas, and could lead to a whole cycle of compositions, like in the 'Chants of a Traveling Bard'.For love, in 'Magic Unisons', transferred into many shades of enjoyment and happy feelings, one's Muses certainly stimulate the poet with their sensual impulses: This cannot be stored like goods, but the traces of those happy moments are still embedded in the poet's soul and the souls of all people engaged in creative work.Fascinating are the times one spends looking through one's creative output of one year that usually happens at the end of it when the mood is influenced by dark ominous cloud formations, snowfall that reflects the dusky light, fine stringing rain, unexpected storms, and foggy mystical mornings. Indeed, magical unisons are unique.
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Autorenporträt
Born in Eastern Austria, close to the Hungarian border, he witnessed as a young man the horrors of a nation's suppression, erupting in the Hungarian Revolution of 1956. He finished his education in art and architecture in Vienna, married, and sailed for the Cape of Africa, an adventure that followed his childhood dreams. He had drawn African animals for his art classes, but the time had come to see them in their natural habitat. Meeting a varied facet of people and cultures, working as a draughtsman in an engineering office, as an architect for a cultural centre, and as a coordinator of craftsmen and professionals, he made good use of his language skills traveling throughout Southern Africa. During a trip to Lesotho, a native artist showed him rock paintings with their stark palimpsest outlines and with typified movements of animals and humans. It made a lasting impression on him and influenced his artistic work. His vast collection of drawings and slides had been lost during a change of domiciles, but further studies of the art of the San people reawakened his dormant artistic longing for expression of his art, filling sketchbooks with drawings and notepads with poetry and prose. While revisiting the capitals of Europe, he sensed the bond of art being borderless and free, reaching out across continents into the world. During a visit to Greece, he was accepted into a circle of artists and poets, who encouraged him to continue his art and a friend introduced him to the works of famous Greek poets. In South Africa, he joined writing and poetry workshops of Writers Write. It was to open the floodgates of his creativity. He decided to travel through Greece and visit its sites of antiquity, read up on Classical mythology, and enjoy translations of Greek poetry and prose. He settled in 2013/14 in Klosterneuburg-Weidling. Poet Nikolaus Lenau is buried here. Franz Kafka had visited here. Their writings will always be an inspiration.