This book critically engages with and extends international approaches to progressing real-world and scholarly change within the museum sector by undertaking a series of 'ecologizing experiments' to rework the possible relations between things and people using a series of museum, collection, theoretical and exhibition case studies.
This book critically engages with and extends international approaches to progressing real-world and scholarly change within the museum sector by undertaking a series of 'ecologizing experiments' to rework the possible relations between things and people using a series of museum, collection, theoretical and exhibition case studies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Fiona R. Cameron is Associate Professor, Principal Research Fellow, Contemporary Museologies at the Institute for Culture and Society, Western Sydney University, Australia. Fiona is also Professor Dr. at the Rachel Carson Center, Ludwig Maximilian University of Munich, Germany and visiting Professor, Linköping University, Sweden.
Inhaltsangabe
1. Introduction: Curating for planetary habitability 2. Technospheric heritage: Curating more than digital heritages in and for planetary durations 3. Collections and eco curating human non human climates 4. Museums, climate policy frameworks, and the problem of humanist driven solutions 5. Communitarian design: Eco curating climate change in attunement 6. Viral museologies: Curating human species viral worlds in sympoiesis 7. Curating sustaining practices in and for more than human worlds 8. Conclusion: More than human museologies
1. Introduction: Curating for planetary habitability 2. Technospheric heritage: Curating more than digital heritages in and for planetary durations 3. Collections and eco curating human non human climates 4. Museums, climate policy frameworks, and the problem of humanist driven solutions 5. Communitarian design: Eco curating climate change in attunement 6. Viral museologies: Curating human species viral worlds in sympoiesis 7. Curating sustaining practices in and for more than human worlds 8. Conclusion: More than human museologies
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