Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered. Examines the key contemporary debates in museum studies Includes original essays by noted artists, curators, and art historians Engages with vital issues in the practice of art-making and art-exhibiting…mehr
Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered.
Examines the key contemporary debates in museum studies Includes original essays by noted artists, curators, and art historians Engages with vital issues in the practice of art-making and art-exhibiting Edited by the world-renowned art historian and author, Griselda Pollock
D.R. POLLOCK has been an avid sailor for over 50 years, including a crew member for one year on Elissa, the Texas Tall Ship. The years of sailing adventures and misadventures inspired several sections of this book. He is widely traveled and lived in a dozen states including six years in Hawaii. Pollock holds a BBA from Georgia State University and an MBA from Drexel University.
Inhaltsangabe
List of Figures.
Notes on Contributors.
Series Editor's Preface.
Preface.
1. Un-Framing the Modern: Critical Space/Public Possibility(Griselda Pollock, University of Leeds).
2. Women's Rembrandt (Mieke Bal, University ofAmsterdam).
3. Museums and the Native Voice (Gerald McMaster, Art Gallery ofOntario).
4. Exhibiting Africa after Modernism: Globalization, Pluralism,and Persistent Paradigms of Art and Artifact (Ruth B. Phillips,Carleton University).
5. Mirroring Evil, Evil Mirrored: Timing, Trauma, and TemporaryExhibitions (Reesa Greenberg, independent scholar and museumconsultant).
6. A Place for Uncertainty: Towards a New Kind of Museum (VeraFrenkel, artist).
7. The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, andMediation (Mary Kelly, University of California, Los Angeles).
8. Riksutställningar: Swedish Traveling Exhibitions (UllaArnell, Curator and Project Manager at Riksutställningar).
9. Reframing Participation in the Museum: A SyncopatedDiscussion (Janna Graham, PhD, University of London and ShadyaYasin, student, York University, Toronto).
10. "There Is No Such Thing as a Visitor" (JudithMastai, d. 2001).
11. "Anxious Dust": History and Repression in theArchives of Mary Kelly (Judith Mastai, d. 2001).
12. On Discourse as Monument: Institutional Spaces and FeministProblematics (Juli Carson, University of California, Irvine).
1. Un-Framing the Modern: Critical Space/Public Possibility(Griselda Pollock, University of Leeds).
2. Women's Rembrandt (Mieke Bal, University ofAmsterdam).
3. Museums and the Native Voice (Gerald McMaster, Art Gallery ofOntario).
4. Exhibiting Africa after Modernism: Globalization, Pluralism,and Persistent Paradigms of Art and Artifact (Ruth B. Phillips,Carleton University).
5. Mirroring Evil, Evil Mirrored: Timing, Trauma, and TemporaryExhibitions (Reesa Greenberg, independent scholar and museumconsultant).
6. A Place for Uncertainty: Towards a New Kind of Museum (VeraFrenkel, artist).
7. The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, andMediation (Mary Kelly, University of California, Los Angeles).
8. Riksutställningar: Swedish Traveling Exhibitions (UllaArnell, Curator and Project Manager at Riksutställningar).
9. Reframing Participation in the Museum: A SyncopatedDiscussion (Janna Graham, PhD, University of London and ShadyaYasin, student, York University, Toronto).
10. "There Is No Such Thing as a Visitor" (JudithMastai, d. 2001).
11. "Anxious Dust": History and Repression in theArchives of Mary Kelly (Judith Mastai, d. 2001).
12. On Discourse as Monument: Institutional Spaces and FeministProblematics (Juli Carson, University of California, Irvine).
Bibliography.
Index.
Rezensionen
"A broad-ranging collection of intriguing essays that challengecurrent pedagogic practice, give examples of critical engagement,and raise important questions about the future of museums." -Eilean Hooper-Greenhill, University of Leicester
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
