Museums and Entrepreneurship
The Effects of Capitalising on Culture in the 21st Century
Herausgeber: Kalyva, Eve; Bianchi, Pamela; Katsaridou, Iro
Museums and Entrepreneurship
The Effects of Capitalising on Culture in the 21st Century
Herausgeber: Kalyva, Eve; Bianchi, Pamela; Katsaridou, Iro
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Museums and Entrepreneurship: The Effects of Capitalising on Culture in the 21st Century addresses the largely under-examined impact that different entrepreneurial endeavours have on museum practices today.
Andere Kunden interessierten sich auch für
- Shir Gal KochaviMuseums in Israel after the Holocaust170,99 €
- Gianna AndrewsSo You Wanna Be an Artist?: Written by a Professional Artist24,99 €
- Megan Rae BlakelyTechnology, Intellectual Property Law and Culture170,99 €
- Eilean Hooper-GreenhillMuseums and the Interpretation of Visual Culture198,99 €
- Flourishing in Museums194,99 €
- A History of Participation in Museums and Archives194,99 €
- Museums and Sites of Persuasion198,99 €
-
-
-
Museums and Entrepreneurship: The Effects of Capitalising on Culture in the 21st Century addresses the largely under-examined impact that different entrepreneurial endeavours have on museum practices today.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 182
- Erscheinungstermin: 22. Juli 2024
- Englisch
- Abmessung: 234mm x 156mm
- Gewicht: 520g
- ISBN-13: 9781032463698
- ISBN-10: 1032463694
- Artikelnr.: 70146311
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 182
- Erscheinungstermin: 22. Juli 2024
- Englisch
- Abmessung: 234mm x 156mm
- Gewicht: 520g
- ISBN-13: 9781032463698
- ISBN-10: 1032463694
- Artikelnr.: 70146311
Eve Kalyva is Lecturer of Art History at the University of Kent and a museum educator. Her interdisciplinary research spans conceptual and contemporary art, image and text relations, social semiotics, activism, exhibition design, decolonial practices and the Global South, with a regional focus on South America. At Kent, she leads the research project Decolonial Practices in Art and Culture. Iro Katsaridou is currently Director of the MOMus-Thessaloniki Museum of Photography. She was previously a curator at the Museum of Byzantine Culture in Thessaloniki. Iro has taught art history and museum studies in several universities in Greece, participated in international conferences and published contributions in journals, collective volumes and exhibition catalogues. Her research interests focus on photography (historical and contemporary), art and politics and socially engaged art history as implemented in museum practices. Pamela Bianchi is Professor of Art History at École Nationale Supérieure d'Architecture de Paris-Belleville (ENSAPB) and at École Supérieure d¿Art et Design in Toulon (ESADtpm). She specialises in the relationship between art, architecture and exhibition design. Since 2013, she has been an affiliated researcher at the Paris 8 University (AI-AC), France.
1. Introducing the Entrepreneurial Turn; 2. Sponsoring National Art:
Funding Construction and Securing Dedications; 3. MAXXI Rome: When a Museum
Displays Politics; 4. Consequences of Sponsorship: European Museums and
Corporations-The Case of Volkswagen; 5. Away with the Basics? Exhibition
Design, Experience Economy and Polyphony; 6. René Magritte's Diasporic
Doubles: Staging the Filipino Security Guards at the Los Angeles County
Museum of Art; 7. Elite Philanthropy and China's Museums: Individual
Passions and Innovative Models; 8. The Value of Community: Case Studies of
Real and Symbolic Economy in South American Museums; 9. Postscript: Where
Do We Go from Here?
Funding Construction and Securing Dedications; 3. MAXXI Rome: When a Museum
Displays Politics; 4. Consequences of Sponsorship: European Museums and
Corporations-The Case of Volkswagen; 5. Away with the Basics? Exhibition
Design, Experience Economy and Polyphony; 6. René Magritte's Diasporic
Doubles: Staging the Filipino Security Guards at the Los Angeles County
Museum of Art; 7. Elite Philanthropy and China's Museums: Individual
Passions and Innovative Models; 8. The Value of Community: Case Studies of
Real and Symbolic Economy in South American Museums; 9. Postscript: Where
Do We Go from Here?
1. Introducing the Entrepreneurial Turn; 2. Sponsoring National Art:
Funding Construction and Securing Dedications; 3. MAXXI Rome: When a Museum
Displays Politics; 4. Consequences of Sponsorship: European Museums and
Corporations-The Case of Volkswagen; 5. Away with the Basics? Exhibition
Design, Experience Economy and Polyphony; 6. René Magritte's Diasporic
Doubles: Staging the Filipino Security Guards at the Los Angeles County
Museum of Art; 7. Elite Philanthropy and China's Museums: Individual
Passions and Innovative Models; 8. The Value of Community: Case Studies of
Real and Symbolic Economy in South American Museums; 9. Postscript: Where
Do We Go from Here?
Funding Construction and Securing Dedications; 3. MAXXI Rome: When a Museum
Displays Politics; 4. Consequences of Sponsorship: European Museums and
Corporations-The Case of Volkswagen; 5. Away with the Basics? Exhibition
Design, Experience Economy and Polyphony; 6. René Magritte's Diasporic
Doubles: Staging the Filipino Security Guards at the Los Angeles County
Museum of Art; 7. Elite Philanthropy and China's Museums: Individual
Passions and Innovative Models; 8. The Value of Community: Case Studies of
Real and Symbolic Economy in South American Museums; 9. Postscript: Where
Do We Go from Here?