Museums and Technologies of Presence

Herausgeber: Shehade, Maria; Stylianou-Lambert, Theopisti

• Broschiertes Buch

Produktbeschreibung

In view of the ever-increasing use of interactive and emerging technologies in museum spaces, Museums and Technologies of Presence rethinks the role of such technologies as potential facilitators of presence, and as vehicles for offering new, immersive, and embodied visitor experiences.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 306
• Erscheinungstermin: 18. Dezember 2024
• Englisch
• Abmessung: 234mm x 156mm x 17mm
• Gewicht: 435g
• ISBN-13: 9781032368856
• ISBN-10: 1032368853
• Artikelnr.: 72110388

Autorenporträt

Maria Shehade is a Senior Research Associate at the Museum Lab of the CYENS Centre of Excellence and an Adjunct Lecturer at the Cyprus University of Technology, with an interest in museum studies, cultural heritage management and policy, and cultural diplomacy. She is the co-author of Greek Cultural Diplomacy: Current Approaches - Future Challenges (2021). Theopisti Stylianou-Lambert is a researcher and artist with an interest in museum studies, photography, visual sociology, and new technologies. She is an Associate Professor at the Cyprus University of Technology and the leader of the 'Museum Lab' at CYENS Centre of Excellence. She is the editor of Museums and Emerging Technologies: Mediating Difficult Heritage (2022) and the author of The Political Museum (2016).

Inhaltsangabe

Chapter 1 Presence, Museums and Immersive Technologies: An
interdisciplinary exploration; Part I: Presence as Immersion, Embodiment,
and Multisensory Experiences Simulated, Stimulated, and Emulated Presence
in 3D Digital Museums; Chapter 3 Presence in immersive museum exhibitions:
the role of agency, body-ownership and awareness; Chapter 4 Designing
Cultural Experiences within Technosocial Systems; Chapter 5 Multisensory
Visitor Engagement: an Analysis of Three Case Studies; Chapter 6
Reconfiguring the Viewer: Modes of Perception and Attention in Immersive
Museum Experience; Part II: Affective Presence and Absence; Chapter 7
Affective Presence through 3D Printing: Some Considerations on Materiality,
Temporality and Technological Modes of Production; Chapter 8 Technology and
presence in a museum of trauma: Therapeutic effects of making danger real
Chapter 9 Breathe: Bridging the personal and the planetary through
augmented-reality experiences; Chapter 10 Museums and the Power of Absence:
Agrippa (A Book of the Dead); Part III: Spatio-temporal Presence; Chapter
11 Digital sensory experiences in museums. Does space matter?Chapter 12
Museological presence through deep mapping: the Atlas of Maritime Buddhism;
Chapter 13 Interwoven Spaces with XR, AI and Robots: Merging Realities in
Space and Time; Chapter 14 (Co)-Presence with the Past Using Emerging
Technologies in Contemporary Art: Institutional Critique Re-envisioned