Exploring the role of museums, galleries and curators during the upheaval of the Second World War, this book challenges the accepted view of a hiatus in museum services during the conflict and its immediate aftermath. Instead it argues that new thinking in the 1930s was realised in a number of promising initiatives during the war only to fail durin
Exploring the role of museums, galleries and curators during the upheaval of the Second World War, this book challenges the accepted view of a hiatus in museum services during the conflict and its immediate aftermath. Instead it argues that new thinking in the 1930s was realised in a number of promising initiatives during the war only to fail durinHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Catherine Pearson, Author, Independent Historian and Scholar, UK. She is the editor of the journals of museum curator, E.J. Rudsdale, 1920-1951. Suzanne Keene, Editor, Reader Emeritus at University College London. She has a number of published books on museum collections, most recently co-authoring Museums and Silent Objects: Designing Effective Exhibitions.
Inhaltsangabe
Timeline: Major events around the Second World War and the Home Front Introduction: a new perspective PART I: 1918-1939: Between the wars Chapter 1 Between the wars: museums and cultural politics Chapter 2 Charting progress: the Markham report Chapter 3 Museums before the war: the context for reform Part II: 1939-1940: At the start of the war Chapter 4 Confronting conflict: collections, closings and openings Chapter 5 As war begins: from propaganda to recognition PART III: 1941-1944: During wartime Chapter 6 State support: the Council for the Encouragement of Music and the Arts (CEMA) Chapter 7 Temples to the arts Chapter 8 Planning for peacetime PART IV: Reflections on wartime practice Chapter 9 Community engagement, education and exhibitions Chapter 10 Audiences in wartime Chapter 11 Memory and identity Chapter 12 Museum staff and the war PART V: 1944-1949 The aftermath of the war Chapter 13 A national museum service: the final bid Chapter 14 The post-war decades: museums in the aftermath of war PART VI: 1950-1964 From austerity to reconstruction Chapter 15 Towards a regional service Chapter 16 Conclusions: museums forget their past
Timeline: Major events around the Second World War and the Home Front Introduction: a new perspective PART I: 1918-1939: Between the wars Chapter 1 Between the wars: museums and cultural politics Chapter 2 Charting progress: the Markham report Chapter 3 Museums before the war: the context for reform Part II: 1939-1940: At the start of the war Chapter 4 Confronting conflict: collections, closings and openings Chapter 5 As war begins: from propaganda to recognition PART III: 1941-1944: During wartime Chapter 6 State support: the Council for the Encouragement of Music and the Arts (CEMA) Chapter 7 Temples to the arts Chapter 8 Planning for peacetime PART IV: Reflections on wartime practice Chapter 9 Community engagement, education and exhibitions Chapter 10 Audiences in wartime Chapter 11 Memory and identity Chapter 12 Museum staff and the war PART V: 1944-1949 The aftermath of the war Chapter 13 A national museum service: the final bid Chapter 14 The post-war decades: museums in the aftermath of war PART VI: 1950-1964 From austerity to reconstruction Chapter 15 Towards a regional service Chapter 16 Conclusions: museums forget their past
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