The first book to explore the contribution made by the military to British music history, Music & the British Military in the Long Nineteenth Century shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life.
The first book to explore the contribution made by the military to British music history, Music & the British Military in the Long Nineteenth Century shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Trevor Herbert was born in south Wales. He played trombone with many leading London orchestras and chamber and period instrument groups before joining the staff of the Open University, where he is now Professor of Music. He has published prolifically on the history, repertoire and performance cultures of brass instruments. He is also the author of numerous articles for the world's leading reference works. Helen Barlow was born in India and grew up in south Wales. She is a Research Fellow in Music at the Open University (UK), and her work focuses on literature and iconography as sources for music history. In addition to her published papers, she has written entries for several major reference works including the Oxford Dictionary of National Biography.
Inhaltsangabe
* Acknowledgements * Historical preface * Introduction * Chapter 1 Trumpets, drums and fifes * Chapter 2 Bands of musick * Chapter 3 Soldiers and musicians * Chapter 4 Musical identities and infrastructures 1770-1857 * Chapter 5 Military music in the British provinces 1770-1840 * Chapter 6 Recruitment, training and the Kneller Hall project * Chapter 7 Amateurs, brass bands and the 1859 Rifle Volunteers * Chapter 8 Concerted performances and instrumentation * Chapter 9 Military culture, the music profession and the question of status * Chapter 10 Ritual, performance style and musical patriotism * Chapter 11 The empire and other foreign fields * Appendix 1 Regulations, standing orders and circular memoranda, etc., addressing * music * Appendix 2 Printed (Harmonie) repertoire for bands of music, c.1800, an indicative * list * Appendix 3 The Duke of Cumberland's Band Archive * Appendix 4 Indicative list of band instrumentations in the late eighteenth and * nineteenth centuries * Appendix 5 The objects of the Military School of Music * Bibliography
* Acknowledgements * Historical preface * Introduction * Chapter 1 Trumpets, drums and fifes * Chapter 2 Bands of musick * Chapter 3 Soldiers and musicians * Chapter 4 Musical identities and infrastructures 1770-1857 * Chapter 5 Military music in the British provinces 1770-1840 * Chapter 6 Recruitment, training and the Kneller Hall project * Chapter 7 Amateurs, brass bands and the 1859 Rifle Volunteers * Chapter 8 Concerted performances and instrumentation * Chapter 9 Military culture, the music profession and the question of status * Chapter 10 Ritual, performance style and musical patriotism * Chapter 11 The empire and other foreign fields * Appendix 1 Regulations, standing orders and circular memoranda, etc., addressing * music * Appendix 2 Printed (Harmonie) repertoire for bands of music, c.1800, an indicative * list * Appendix 3 The Duke of Cumberland's Band Archive * Appendix 4 Indicative list of band instrumentations in the late eighteenth and * nineteenth centuries * Appendix 5 The objects of the Military School of Music * Bibliography
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