Matthias Range is Associate Lecturer in History at Oxford Brookes University. His areas of research are interdisciplinary and he has published numerous articles on seventeenth- and eighteenth-century music at Royal events, as well as on general cultural history. His research is supported and inspired by his practical experience and activity as a musician; as an organist trained in Germany and as a choral singer at The Queen's College, Oxford. His findings and research outcomes have led to numerous performances, including recordings with HM Chapel Royal.
Inhaltsangabe
1. Introduction: the British Coronation and its music 2. After Reformation and Restoration: 1603-1661 (James I, 1603 Charles I, 1626 Charles II, 1661) 3. Truncation and elaboration: 1685 (James II and Queen Mary) 4. Politics and spectacle: 1689-1714 (William III and Mary II, 1689 Queen Anne, 1702 George I, 1714) 5. The 'Concert Coronations' I: 1727 (George II and Queen Caroline) 6. The 'Concert Coronations' II: 1761 and 1821 (George III and Queen Charlotte, 1761 George IV, 1821) 7. The 'Reformed Model': 1831 and 1838 (William IV and Queen Adelaide, 1831 Queen Victoria, 1838) 8. The 'Marriage of Tradition and Innovation': the twentieth century (Edward VII and Queen Alexandra, 1902 George V and Queen Mary, 1911 George VI and Queen Elizabeth, 1937 Elizabeth II, 1953) Appendices: A. Full texts of anthems discussed B. Transcriptions of documents and reports C. Synoptic table of music at British coronations, 1603-1838 D. Synoptic table of music at twentieth century British coronations, 1902-1953 Bibliography and sources.
1. Introduction: the British Coronation and its music 2. After Reformation and Restoration: 1603-1661 (James I, 1603 Charles I, 1626 Charles II, 1661) 3. Truncation and elaboration: 1685 (James II and Queen Mary) 4. Politics and spectacle: 1689-1714 (William III and Mary II, 1689 Queen Anne, 1702 George I, 1714) 5. The 'Concert Coronations' I: 1727 (George II and Queen Caroline) 6. The 'Concert Coronations' II: 1761 and 1821 (George III and Queen Charlotte, 1761 George IV, 1821) 7. The 'Reformed Model': 1831 and 1838 (William IV and Queen Adelaide, 1831 Queen Victoria, 1838) 8. The 'Marriage of Tradition and Innovation': the twentieth century (Edward VII and Queen Alexandra, 1902 George V and Queen Mary, 1911 George VI and Queen Elizabeth, 1937 Elizabeth II, 1953) Appendices: A. Full texts of anthems discussed B. Transcriptions of documents and reports C. Synoptic table of music at British coronations, 1603-1838 D. Synoptic table of music at twentieth century British coronations, 1902-1953 Bibliography and sources.
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