This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of the Cold War and in the early post-Communist period.
This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of the Cold War and in the early post-Communist period.
Mägorzata Janicka-S¿ysz is a music theorist, head of the Department of Theory and Interpretation of Musical Work at Krzysztof Penderecki Academy of Music, Krakow, a member of the editorial board of the journal Theory of Music, and professor at the Academy of Music, Krakow. She is the author of Vytautas Bacevi¿ius i jego idee muzyki kosmicznej (2001) and Poetyka muzyczna Karola Szymanowskiego. Studia i interpretacje (2013). R¿ta Stanevi¿i¿t¿ is a musicologist, director of the Research Centre at the Lithuanian Academy of Music and Theatre, and a chief-editor of the journal Lithuanian Musicology. She is the author of The Figures of Modernity: The International Society for Contemporary Music and the Spread of Musical Modernism in Lithuania (VDA, 2015), and the co-author of Nylon Curtain: Cold War, International Exchange and Lithuanian Music (LMTA, 2018), and Sound Utopias: Lithuanian Music Modernization in Context (2021).
Inhaltsangabe
Introduction R ta Stanevi i t and Mägorzata Janicka-S ysz Part One: Cultural Encounters and Musicians' Networking 1. From Ignorance to Familiarity: Lithuanian and Polish Musical Networking During the Cold War R ta Stanevi i t , Lithuanian Academy of Music and Theatre 2. On Forms of Memory and Freedom in Polish and Lithuanian Music before and after 1989 Mägorzata Janicka-S ysz, Krzysztof Penderecki Academy of Music, Krakow 3. The Musical Meetings in Baranów and Sandomierz as Oases of Freedom Dominika Micä, Krzysztof Penderecki Academy of Music, Krakow 4. Rebellion and Identity: A Generational Breakthrough in Polish Music in the 1970s Kinga Kiwäa, Krzysztof Penderecki Academy of Music, Krakow Part Two: The Musical Expression of Cultural and Political Liberation 5. The Idea of Freedom in Krzysztof Penderecki's Works: From Experience to Expression Iwona Sowi ska-Fruhtrunk, Krzysztof Penderecki Academy of Music, Krakow 6. Nodes and Turning Points in the Life and Art of Henryk Miko aj Górecki as a Resonance of Polish Politics and History in the Second Half of the Twentieth Century Teresa Malecka, Krzysztof Penderecki Academy of Music, Krakow 7. The Dimensions of Freedom in Wojciech Marczewski's Movie Escape from the "Liberty" Cinema and Witold Leszczy ski's Siekierezada (Axiliad): Music Functions in Films Ewa Czachorowska-Zygor, Krzysztof Penderecki Academy of Music, Krakow 8. Lithuanian Music in Transition: Independent Festivals of the 1980s and 1990s Vita Gruodyt , Lithuanian Academy of Music and Theatre Part Three: Music and Politics before and after the Fall 9. Disco Culture and the Ritual Journey in the Soviet 1980s Kevin C. Karnes, Emory University 10. The Ganelin Trio, Rova Saxophone Quartet, and US-Soviet Cultural Exchanges in the 1980s Peter J. Schmelz, Arizona State University 11. On the Other Side of Freedom: The Band Mi o and the Polish Yass Scene Andrzej M dro, Krzysztof Penderecki Academy of Music, Krakow 12. Critics' Choice: New Russian Music Criticism and Leonid Desyatnikov Olga Manulkina, Saint Petersburg State University Editors and Contributors Index of Names
Introduction R ta Stanevi i t and Mägorzata Janicka-S ysz Part One: Cultural Encounters and Musicians' Networking 1. From Ignorance to Familiarity: Lithuanian and Polish Musical Networking During the Cold War R ta Stanevi i t , Lithuanian Academy of Music and Theatre 2. On Forms of Memory and Freedom in Polish and Lithuanian Music before and after 1989 Mägorzata Janicka-S ysz, Krzysztof Penderecki Academy of Music, Krakow 3. The Musical Meetings in Baranów and Sandomierz as Oases of Freedom Dominika Micä, Krzysztof Penderecki Academy of Music, Krakow 4. Rebellion and Identity: A Generational Breakthrough in Polish Music in the 1970s Kinga Kiwäa, Krzysztof Penderecki Academy of Music, Krakow Part Two: The Musical Expression of Cultural and Political Liberation 5. The Idea of Freedom in Krzysztof Penderecki's Works: From Experience to Expression Iwona Sowi ska-Fruhtrunk, Krzysztof Penderecki Academy of Music, Krakow 6. Nodes and Turning Points in the Life and Art of Henryk Miko aj Górecki as a Resonance of Polish Politics and History in the Second Half of the Twentieth Century Teresa Malecka, Krzysztof Penderecki Academy of Music, Krakow 7. The Dimensions of Freedom in Wojciech Marczewski's Movie Escape from the "Liberty" Cinema and Witold Leszczy ski's Siekierezada (Axiliad): Music Functions in Films Ewa Czachorowska-Zygor, Krzysztof Penderecki Academy of Music, Krakow 8. Lithuanian Music in Transition: Independent Festivals of the 1980s and 1990s Vita Gruodyt , Lithuanian Academy of Music and Theatre Part Three: Music and Politics before and after the Fall 9. Disco Culture and the Ritual Journey in the Soviet 1980s Kevin C. Karnes, Emory University 10. The Ganelin Trio, Rova Saxophone Quartet, and US-Soviet Cultural Exchanges in the 1980s Peter J. Schmelz, Arizona State University 11. On the Other Side of Freedom: The Band Mi o and the Polish Yass Scene Andrzej M dro, Krzysztof Penderecki Academy of Music, Krakow 12. Critics' Choice: New Russian Music Criticism and Leonid Desyatnikov Olga Manulkina, Saint Petersburg State University Editors and Contributors Index of Names
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