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This book is a philosophical study of the relations between hearing and thinking about music. By applying the concepts and techniques of analytic philosophy the author explores the ways in which musical hearing may be described as nonconceptual, and how such mental representation contrasts with conceptual thought.

Produktbeschreibung
This book is a philosophical study of the relations between hearing and thinking about music. By applying the concepts and techniques of analytic philosophy the author explores the ways in which musical hearing may be described as nonconceptual, and how such mental representation contrasts with conceptual thought.