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In Music and Cosmopolitanism, Cristina Magaldi examines music making in a past globalized world. This volume focuses on one city, Rio de Janeiro, and how it became part of a larger world through music and performance. Magaldi describes a process of creating connections beyond national borders, one that is familiar to contemporary city residents, but which was already dominant at the turn of the 20th century, as new technological developments led to alternative ways of making and experiencing music.

Produktbeschreibung
In Music and Cosmopolitanism, Cristina Magaldi examines music making in a past globalized world. This volume focuses on one city, Rio de Janeiro, and how it became part of a larger world through music and performance. Magaldi describes a process of creating connections beyond national borders, one that is familiar to contemporary city residents, but which was already dominant at the turn of the 20th century, as new technological developments led to alternative ways of making and experiencing music.
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Autorenporträt
Cristina Magaldi is Professor Emerita at Towson University and holds degrees from the University of Brasília, the University of Reading, England, and the University of California, Los Angeles. Her research focuses on music during the 19th and 20th centuries, Latin American cultures, globalization, and cosmopolitanism. She is the author of Music in Imperial Rio de Janeiro: European Culture in a Tropical Milieu (2004) and her publications have appeared in Popular Music, Latin American Music Review, Musical Quarterly, among others.