In Music and Cosmopolitanism, Cristina Magaldi examines music making in a past globalized world. This volume focuses on one city, Rio de Janeiro, and how it became part of a larger world through music and performance. Magaldi describes a process of creating connections beyond national borders, one that is familiar to contemporary city residents, but which was already dominant at the turn of the 20th century, as new technological developments led to alternative ways of making and experiencing music.
In Music and Cosmopolitanism, Cristina Magaldi examines music making in a past globalized world. This volume focuses on one city, Rio de Janeiro, and how it became part of a larger world through music and performance. Magaldi describes a process of creating connections beyond national borders, one that is familiar to contemporary city residents, but which was already dominant at the turn of the 20th century, as new technological developments led to alternative ways of making and experiencing music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Cristina Magaldi is Professor Emerita at Towson University and holds degrees from the University of Brasília, the University of Reading, England, and the University of California, Los Angeles. Her research focuses on music during the 19th and 20th centuries, Latin American cultures, globalization, and cosmopolitanism. She is the author of Music in Imperial Rio de Janeiro: European Culture in a Tropical Milieu (2004) and her publications have appeared in Popular Music, Latin American Music Review, Musical Quarterly, among others.
Inhaltsangabe
Introduction Chapter One: Cosmopolitanism and yhe City Chapter Two: A City To Be Seen and To Be Heard Chapter Three: A Tale of Three Anthems Chapter Four: Race in the Universal and Eternal Tradition Chapter Five: At The Cabaret Chapter Six: Diversifying Chapter Seven: Local Cosmopolitanisms Chapter Eight: The Widows Chapter Nine: Cosmopolitan Traditions Chapter Ten: Sounds Of Urban Worlds Chapter Eleven: A World of Many Musics 12. Concluding: Arriving at the Future Bibliography Index
Introduction Chapter One: Cosmopolitanism and yhe City Chapter Two: A City To Be Seen and To Be Heard Chapter Three: A Tale of Three Anthems Chapter Four: Race in the Universal and Eternal Tradition Chapter Five: At The Cabaret Chapter Six: Diversifying Chapter Seven: Local Cosmopolitanisms Chapter Eight: The Widows Chapter Nine: Cosmopolitan Traditions Chapter Ten: Sounds Of Urban Worlds Chapter Eleven: A World of Many Musics 12. Concluding: Arriving at the Future Bibliography Index
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