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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 398
- Erscheinungstermin: 15. Juli 2016
- Englisch
- Abmessung: 216mm x 140mm x 21mm
- Gewicht: 463g
- ISBN-13: 9781138994287
- ISBN-10: 1138994286
- Artikelnr.: 50020437
- Verlag: Taylor & Francis
- Seitenzahl: 398
- Erscheinungstermin: 15. Juli 2016
- Englisch
- Abmessung: 216mm x 140mm x 21mm
- Gewicht: 463g
- ISBN-13: 9781138994287
- ISBN-10: 1138994286
- Artikelnr.: 50020437
Michael Saffle, James R. Heintze
Why American Art Music Arrived First in New England
Nicholas Tawa * Musical Life in Turn-of-the-Century Indianapolis
Suzanne Snyder * Diaries of William Steinway and New York Musical Life
1861-1871
Edwin M. Good * Concert Singers
Prima Donnas
and Entertainers: The Changing Status of Black Women Vocalists in 19th-Century America
Thomas L. Riis * When Cairo Met Main Street: Little Egypt
Salome Dancers
and the World's Fairs of 1893 and 1904
Charles Kennedy * Promoting the Local Product: Sherman and Hyde's Review and the San Francisco Musical Press of 1874 * Inventing Tradition: Symphony and Opera in Progressive-era Los Angeles
Catherine P. Smith * Somewhere Between Beer and Wagner: The MSnnershsre Societies of New Orleans and New York City
Mary Sue Morrow * Mrs. Poliphar at the Opera: Satire
Idealism
and Cultural Authority in Post-Civil War New York
Karen Ahlquist * Jacob Guth in Montrose Band: A Town Band in Central Pennsylvania
April-August 1889
Kenneth Kreitner * Music in Lancaster
Kentucky
1885-1910: Local Talent
Traveling Tours
and the Opera House
Ben Arnold * Operettas of Charles Hutchison Gabriel
Clyde W. Brockett * Missing Title Page: Dvorak and the American National Song
John C. Tibbetts
Nicholas Tawa * Musical Life in Turn-of-the-Century Indianapolis
Suzanne Snyder * Diaries of William Steinway and New York Musical Life
1861-1871
Edwin M. Good * Concert Singers
Prima Donnas
and Entertainers: The Changing Status of Black Women Vocalists in 19th-Century America
Thomas L. Riis * When Cairo Met Main Street: Little Egypt
Salome Dancers
and the World's Fairs of 1893 and 1904
Charles Kennedy * Promoting the Local Product: Sherman and Hyde's Review and the San Francisco Musical Press of 1874 * Inventing Tradition: Symphony and Opera in Progressive-era Los Angeles
Catherine P. Smith * Somewhere Between Beer and Wagner: The MSnnershsre Societies of New Orleans and New York City
Mary Sue Morrow * Mrs. Poliphar at the Opera: Satire
Idealism
and Cultural Authority in Post-Civil War New York
Karen Ahlquist * Jacob Guth in Montrose Band: A Town Band in Central Pennsylvania
April-August 1889
Kenneth Kreitner * Music in Lancaster
Kentucky
1885-1910: Local Talent
Traveling Tours
and the Opera House
Ben Arnold * Operettas of Charles Hutchison Gabriel
Clyde W. Brockett * Missing Title Page: Dvorak and the American National Song
John C. Tibbetts
Why American Art Music Arrived First in New England
Nicholas Tawa * Musical Life in Turn-of-the-Century Indianapolis
Suzanne Snyder * Diaries of William Steinway and New York Musical Life
1861-1871
Edwin M. Good * Concert Singers
Prima Donnas
and Entertainers: The Changing Status of Black Women Vocalists in 19th-Century America
Thomas L. Riis * When Cairo Met Main Street: Little Egypt
Salome Dancers
and the World's Fairs of 1893 and 1904
Charles Kennedy * Promoting the Local Product: Sherman and Hyde's Review and the San Francisco Musical Press of 1874 * Inventing Tradition: Symphony and Opera in Progressive-era Los Angeles
Catherine P. Smith * Somewhere Between Beer and Wagner: The MSnnershsre Societies of New Orleans and New York City
Mary Sue Morrow * Mrs. Poliphar at the Opera: Satire
Idealism
and Cultural Authority in Post-Civil War New York
Karen Ahlquist * Jacob Guth in Montrose Band: A Town Band in Central Pennsylvania
April-August 1889
Kenneth Kreitner * Music in Lancaster
Kentucky
1885-1910: Local Talent
Traveling Tours
and the Opera House
Ben Arnold * Operettas of Charles Hutchison Gabriel
Clyde W. Brockett * Missing Title Page: Dvorak and the American National Song
John C. Tibbetts
Nicholas Tawa * Musical Life in Turn-of-the-Century Indianapolis
Suzanne Snyder * Diaries of William Steinway and New York Musical Life
1861-1871
Edwin M. Good * Concert Singers
Prima Donnas
and Entertainers: The Changing Status of Black Women Vocalists in 19th-Century America
Thomas L. Riis * When Cairo Met Main Street: Little Egypt
Salome Dancers
and the World's Fairs of 1893 and 1904
Charles Kennedy * Promoting the Local Product: Sherman and Hyde's Review and the San Francisco Musical Press of 1874 * Inventing Tradition: Symphony and Opera in Progressive-era Los Angeles
Catherine P. Smith * Somewhere Between Beer and Wagner: The MSnnershsre Societies of New Orleans and New York City
Mary Sue Morrow * Mrs. Poliphar at the Opera: Satire
Idealism
and Cultural Authority in Post-Civil War New York
Karen Ahlquist * Jacob Guth in Montrose Band: A Town Band in Central Pennsylvania
April-August 1889
Kenneth Kreitner * Music in Lancaster
Kentucky
1885-1910: Local Talent
Traveling Tours
and the Opera House
Ben Arnold * Operettas of Charles Hutchison Gabriel
Clyde W. Brockett * Missing Title Page: Dvorak and the American National Song
John C. Tibbetts