It seems self-evident that music plays more than just an aesthetic role in contemporary society. It is thus surprising that the subject of ethics is often neglected in discussions about music. Music and Ethics examines different ways in which music can contribute to theoretical discussions about ethics as well as concrete moral behaviour. Rather than offer a general musico-ethical theory, the book explores ethics as a practical concept, and demonstrates through concrete examples that the relation between music and ethics has never been absent.
It seems self-evident that music plays more than just an aesthetic role in contemporary society. It is thus surprising that the subject of ethics is often neglected in discussions about music. Music and Ethics examines different ways in which music can contribute to theoretical discussions about ethics as well as concrete moral behaviour. Rather than offer a general musico-ethical theory, the book explores ethics as a practical concept, and demonstrates through concrete examples that the relation between music and ethics has never been absent.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Marcel Cobussen teaches Music Philosophy and Sonic Studies at Leiden University, The Netherlands, and the Orpheus Institute in Ghent, Belgium. He is author of several books, including Thresholds: Rethinking Spirituality Through Music (Ashgate, 2008). He is editor-in-chief of the open access online Journal of Sonic Studies. Nanette Nielsen is Associate Professor at the University of Oslo. She works on music and philosophy, especially ethics and aesthetics in twentieth-century music, and on opera and music criticism in the Weimar republic. Her publications include the article 'Ernst Krenek's "problem of freedom" in Jonny spielt auf' (Twentieth-Century Music, 2013) - for which she won the 2014 Jerome Roche Prize - and a co-edited special Opera Quarterly issue on 'Opera and Philosophy' (with Tomas McAuley, 2014).