Places the radicalization of art music in early post-war France in its broader socio-cultural and political context.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mark Carroll is Lecturer in Music at the Australian National University, Canberra.
Inhaltsangabe
List of figures Acknowledgements Introduction: issues and perspectives 1. Back to the future: Nabokov's selection criteria for L'Oeuvre du XXe siècle 2. Nabokov, Shostakovich and the view from the bridge 3. Articles of war: the Prague Manifesto and the Progressistes 4. Creative freedom or political obligation? Serialism and Stalinism in France 5. Culture and confrontation at the Théâtre des Champs-Elysées 6. Neither you nor they: the avant-garde and neutralité 7. Music and Sartrean commitment 8. René Leibowitz and the musician's conscience 9. A forlorn hope: Sartre's 'virtual' audience 10. Serialism, scientism and the post-war world view Epilogue: the aftermath of L'Oeuvre du XXe siècle Appendix: the musical programme L'Oeuvre du XXe siècle Notes Bibliography Index.
List of figures Acknowledgements Introduction: issues and perspectives 1. Back to the future: Nabokov's selection criteria for L'Oeuvre du XXe siècle 2. Nabokov, Shostakovich and the view from the bridge 3. Articles of war: the Prague Manifesto and the Progressistes 4. Creative freedom or political obligation? Serialism and Stalinism in France 5. Culture and confrontation at the Théâtre des Champs-Elysées 6. Neither you nor they: the avant-garde and neutralité 7. Music and Sartrean commitment 8. René Leibowitz and the musician's conscience 9. A forlorn hope: Sartre's 'virtual' audience 10. Serialism, scientism and the post-war world view Epilogue: the aftermath of L'Oeuvre du XXe siècle Appendix: the musical programme L'Oeuvre du XXe siècle Notes Bibliography Index.
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