Introduction Tess Knighton and David Skinner The Progeny of Bernart de Ventadorn's Can vei la lauzeta mover Elizabeth Aubrey Medieval Iberian Song in its Mediterranean Context: From Andalusian muwashshahat to the Cantigas de Santa Maria Manuel Pedro Ferreira The estampies of Douce 308 Elizabeth Eva Leach Anonymous IV and the Antiqui Rob C. Wegman The Development of the Latin Liturgical Psalter in England John Caldwell Forgotten Levers of Harmony: Where Are the Grammarians' Claviculi? Crawford Young The Variable Voice Conductus Mark Everist Making Sense of Omnis / Habenti: An Ars Nova Motet in England Lisa Colton Super omnes speciosa: Machaut Reading Vitry Alice V. Clark 'The spirit moves me to speak of forms changed into new bodies': Anton Webern, Philippe de Vitry, and the Reception of the Ars Nova Motet Lawrence Earp La belle se siet: Where Dufay and Josquin Meet David Fallows In Search of Medieval Music in Non Western Countries Anna Maria Busse Berger Where Did Our Musical Instruments Come From? Jeremy Montagu Instrumentalists and Changing Performance Contexts, c. 1500 Keith Polk Non mensural Polyphony: Performing Plainsong Reinhard Strohm 'Übersingen' and 'Quintieren': Non Mensural Polyphony in Secular Repertories: Oswald von Wolkenstein and the Monk of Salzburg Marc Lewon From Page to Sound: Performing the Masses of Walter Frye Andrew Kirkman
Introduction Tess Knighton and David Skinner The Progeny of Bernart de Ventadorn's Can vei la lauzeta mover Elizabeth Aubrey Medieval Iberian Song in its Mediterranean Context: From Andalusian muwashshahat to the Cantigas de Santa Maria Manuel Pedro Ferreira The estampies of Douce 308 Elizabeth Eva Leach Anonymous IV and the Antiqui Rob C. Wegman The Development of the Latin Liturgical Psalter in England John Caldwell Forgotten Levers of Harmony: Where Are the Grammarians' Claviculi? Crawford Young The Variable Voice Conductus Mark Everist Making Sense of Omnis / Habenti: An Ars Nova Motet in England Lisa Colton Super omnes speciosa: Machaut Reading Vitry Alice V. Clark 'The spirit moves me to speak of forms changed into new bodies': Anton Webern, Philippe de Vitry, and the Reception of the Ars Nova Motet Lawrence Earp La belle se siet: Where Dufay and Josquin Meet David Fallows In Search of Medieval Music in Non Western Countries Anna Maria Busse Berger Where Did Our Musical Instruments Come From? Jeremy Montagu Instrumentalists and Changing Performance Contexts, c. 1500 Keith Polk Non mensural Polyphony: Performing Plainsong Reinhard Strohm 'Übersingen' and 'Quintieren': Non Mensural Polyphony in Secular Repertories: Oswald von Wolkenstein and the Monk of Salzburg Marc Lewon From Page to Sound: Performing the Masses of Walter Frye Andrew Kirkman
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