Iniquitous Innocence: The Ambiguity of Music in the Phantasien über die Kunst (1799)
Richard Littlejohns The Cosmic
Symphonic: Novalis, Music, and Universal Discourse
"Das Hören ist ein Sehen von und durch innen": Johann Wilhelm Ritter and the Aesthetics of Music
Thomas Straessle Music and Non
Verbal Reason in E. T. A. Hoffmann
Jeanne Riou Perceptions of Goethe and Schubert
Lorraine Byrne Goethe's Egmont, Beethoven's Egmont
David Hill A Tale of Two Fausts: An Examination of Reciprocal Influence in the Responses of Liszt and Wagner to Goethe's FaustFaust
David Larkin Musical Gypsies and Anti
Classical Aesthetics: The Romantic Reception of Goethe's Mignon Character in Brentano's Die mehrenen Wehmüller und ungarische GeschichterDie mehrenen Wehmüller und ungarische Geschichter
Stefanie Bach Stages of Imagination in Music and Literature: E. T. A. Hoffmann and Hector Berlioz
Andrea Huebener The Voice from the Hereafter: E. T. A. Hoffmann's Ideal of Sound and Its Realization in Early Twentieth
Century Electronic MusicElectronic Music
Werner Keil "My song the midnight raven has outwing'd": Schubert's "Der Wanderer," D. 649
James Parsons The Notion of Personae in Brahm's "Bitteres zu sagen denkst du": op. 32, no. 7: A literary key to musical performance?
Natasha Loges Robert Schneider's Schlafes Bruder
a Neo
Romantic Musikernovelle?
Juergen Barkhoff
