Music and Marx
Ideas, Practice, Politics
Herausgeber: Qureshi, Regula Burckhardt
Music and Marx
Ideas, Practice, Politics
Herausgeber: Qureshi, Regula Burckhardt
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Andere Kunden interessierten sich auch für
- The Routledge History of Social Protest in Popular Music356,99 €
- Rethinking Music through Science and Technology Studies160,99 €
- Kenneth LamplFilm Music185,99 €
- James Leggio (ed.)Music and Modern Art178,99 €
- Musical Imagery198,99 €
- Marsha MortonThe Arts Entwined178,99 €
- David NeumeyerOxford Handbook of Film Music Studies216,99 €
-
-
-
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 268
- Erscheinungstermin: 2. August 2002
- Englisch
- Abmessung: 242mm x 162mm x 20mm
- Gewicht: 490g
- ISBN-13: 9780815337164
- ISBN-10: 0815337167
- Artikelnr.: 21650201
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 268
- Erscheinungstermin: 2. August 2002
- Englisch
- Abmessung: 242mm x 162mm x 20mm
- Gewicht: 490g
- ISBN-13: 9780815337164
- ISBN-10: 0815337167
- Artikelnr.: 21650201
REGULA BURCKHARDT QURESHI
Part I Commodification and Music Scholarship; Chapter 1 MUSIC SCHOLARSHIP
MUSICAL PRACTICE
AND THE ACT OF LISTENING
DAVID GRAMIT; Chapter 2 Commodity-Form
Disavowal
and Practices of Music Theory
HENRY KLUMPENHOUWER; Part II Capitalism and Musical Poetics; Chapter 3 Modernity and Musical Structure Neo-Marxist Perspectives on Song Form and Its Successors
PETER MANUEL; Chapter 4 The Hip-Hop Sublime as a Form of Commodification
ADAM KRIMS; Part III Relations of Production; Chapter 5 Mode of Production and Musical Production: Is Hindustani Music Feudal?
REGULA BURCKHARDT QURESHI; Chapter 6 The Capitalization of Musical Production: The Conceptual and Spatial Development of London?EUR?s Public Concerts
1660?EUR"1750
ANTHONY A. OLMSTED; Chapter 7 Marx
Money
and Musicians
MARTIN STOKES; Part IV State and Revolutionary Marxism; Chapter 8 Musicological Memoirs on Marxism
IZALY ZEMTSOVSKY; Chapter 9 Making Marxist-Leninist Music in Uzbekistan
THEODORE LEVIN; Chapter 10 Central American Revolutionary Music
FRED JUDSON;
MUSICAL PRACTICE
AND THE ACT OF LISTENING
DAVID GRAMIT; Chapter 2 Commodity-Form
Disavowal
and Practices of Music Theory
HENRY KLUMPENHOUWER; Part II Capitalism and Musical Poetics; Chapter 3 Modernity and Musical Structure Neo-Marxist Perspectives on Song Form and Its Successors
PETER MANUEL; Chapter 4 The Hip-Hop Sublime as a Form of Commodification
ADAM KRIMS; Part III Relations of Production; Chapter 5 Mode of Production and Musical Production: Is Hindustani Music Feudal?
REGULA BURCKHARDT QURESHI; Chapter 6 The Capitalization of Musical Production: The Conceptual and Spatial Development of London?EUR?s Public Concerts
1660?EUR"1750
ANTHONY A. OLMSTED; Chapter 7 Marx
Money
and Musicians
MARTIN STOKES; Part IV State and Revolutionary Marxism; Chapter 8 Musicological Memoirs on Marxism
IZALY ZEMTSOVSKY; Chapter 9 Making Marxist-Leninist Music in Uzbekistan
THEODORE LEVIN; Chapter 10 Central American Revolutionary Music
FRED JUDSON;
Part I Commodification and Music Scholarship; Chapter 1 MUSIC SCHOLARSHIP
MUSICAL PRACTICE
AND THE ACT OF LISTENING
DAVID GRAMIT; Chapter 2 Commodity-Form
Disavowal
and Practices of Music Theory
HENRY KLUMPENHOUWER; Part II Capitalism and Musical Poetics; Chapter 3 Modernity and Musical Structure Neo-Marxist Perspectives on Song Form and Its Successors
PETER MANUEL; Chapter 4 The Hip-Hop Sublime as a Form of Commodification
ADAM KRIMS; Part III Relations of Production; Chapter 5 Mode of Production and Musical Production: Is Hindustani Music Feudal?
REGULA BURCKHARDT QURESHI; Chapter 6 The Capitalization of Musical Production: The Conceptual and Spatial Development of London?EUR?s Public Concerts
1660?EUR"1750
ANTHONY A. OLMSTED; Chapter 7 Marx
Money
and Musicians
MARTIN STOKES; Part IV State and Revolutionary Marxism; Chapter 8 Musicological Memoirs on Marxism
IZALY ZEMTSOVSKY; Chapter 9 Making Marxist-Leninist Music in Uzbekistan
THEODORE LEVIN; Chapter 10 Central American Revolutionary Music
FRED JUDSON;
MUSICAL PRACTICE
AND THE ACT OF LISTENING
DAVID GRAMIT; Chapter 2 Commodity-Form
Disavowal
and Practices of Music Theory
HENRY KLUMPENHOUWER; Part II Capitalism and Musical Poetics; Chapter 3 Modernity and Musical Structure Neo-Marxist Perspectives on Song Form and Its Successors
PETER MANUEL; Chapter 4 The Hip-Hop Sublime as a Form of Commodification
ADAM KRIMS; Part III Relations of Production; Chapter 5 Mode of Production and Musical Production: Is Hindustani Music Feudal?
REGULA BURCKHARDT QURESHI; Chapter 6 The Capitalization of Musical Production: The Conceptual and Spatial Development of London?EUR?s Public Concerts
1660?EUR"1750
ANTHONY A. OLMSTED; Chapter 7 Marx
Money
and Musicians
MARTIN STOKES; Part IV State and Revolutionary Marxism; Chapter 8 Musicological Memoirs on Marxism
IZALY ZEMTSOVSKY; Chapter 9 Making Marxist-Leninist Music in Uzbekistan
THEODORE LEVIN; Chapter 10 Central American Revolutionary Music
FRED JUDSON;