Offers unparalleled insight into the function of music in worship, ritual and society in late medieval Europe.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrew Kirkman is the Peyton and Barber Professor of Music at the University of Birmingham. He has published widely on English and Continental Music of the fifteenth century, with Cambridge and Oxford University Presses and in the top journals in the field. He is also conductor of the award-winning Binchois Consort, with which he has recorded twelve CDs on the Hyperion label.
Inhaltsangabe
Dedication Acknowledgements List of plates Note on editorial policy, currency and dates Prologue: Saint-omer and the growth of urban power 1. The maîtrise 2. Identities and career patterns 3. Masters and master singers 4. The organs 5. The bells 6. Loose canons? Music and the craft of ecclesiastical power Epilogue. A cloistered art: connoisseurship and private music-making Appendix. Documents pertaining to the suppression of benefices for the upkeep of the master and choirboys Bibliography.
Dedication Acknowledgements List of plates Note on editorial policy, currency and dates Prologue: Saint-omer and the growth of urban power 1. The maîtrise 2. Identities and career patterns 3. Masters and master singers 4. The organs 5. The bells 6. Loose canons? Music and the craft of ecclesiastical power Epilogue. A cloistered art: connoisseurship and private music-making Appendix. Documents pertaining to the suppression of benefices for the upkeep of the master and choirboys Bibliography.
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