From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields competed by staging a variety of productions both old and new. Kathryn Lowerre charts the interactions of the two companies from a musical perspective and provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy. During this period, all theater was musical theater.
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields competed by staging a variety of productions both old and new. Kathryn Lowerre charts the interactions of the two companies from a musical perspective and provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy. During this period, all theater was musical theater.
Kathryn Lowerre is a musicologist and an editor of John Eccles' collected works (A-R Editions). She has taught at Michigan State University, Colby College, and the University of Michigan, USA
Inhaltsangabe
Contents: Prologue: rival crews: music and musicians in the London theaters Part I The Place and Function of Music in Dramatic Productions: Musical approaches in comedy Musical tragedies and dramatick operas. Part II Music and Musicians in Theatrical Competition: Initiation, 1695-1697 Competition, 1698-1700 Power shift, 1700-1703 Realignment, 1703-1705 Epilogue Appendices: Selected bibliography Indexes.
Contents: Prologue: rival crews: music and musicians in the London theaters Part I The Place and Function of Music in Dramatic Productions: Musical approaches in comedy Musical tragedies and dramatick operas. Part II Music and Musicians in Theatrical Competition: Initiation, 1695-1697 Competition, 1698-1700 Power shift, 1700-1703 Realignment, 1703-1705 Epilogue Appendices: Selected bibliography Indexes.
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