Bennett Zon
Music and Orientalism in the British Empire, 1780s-1940s
Portrayal of the East
Herausgeber: Clayton, Martin
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Bennett Zon
Music and Orientalism in the British Empire, 1780s-1940s
Portrayal of the East
Herausgeber: Clayton, Martin
- Broschiertes Buch
Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. Four different themes are explored, including: the portrayal of the East, the interpretation of concert music, the relationship between music and different genres of writing, and Oriental representation in music theatre, opera and twentieth-century Hindi cinema.
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Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. Four different themes are explored, including: the portrayal of the East, the interpretation of concert music, the relationship between music and different genres of writing, and Oriental representation in music theatre, opera and twentieth-century Hindi cinema.
Produktdetails
- Produktdetails
- Music in Nineteenth-Century Britain
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 368
- Erscheinungstermin: 1. Januar 1900
- Englisch
- Abmessung: 157mm x 235mm x 30mm
- Gewicht: 586g
- ISBN-13: 9781138265165
- ISBN-10: 1138265160
- Artikelnr.: 57039865
- Music in Nineteenth-Century Britain
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 368
- Erscheinungstermin: 1. Januar 1900
- Englisch
- Abmessung: 157mm x 235mm x 30mm
- Gewicht: 586g
- ISBN-13: 9781138265165
- ISBN-10: 1138265160
- Artikelnr.: 57039865
Martin Clayton is Senior Lecturer in Music at the Open University, UK. He has written on topics including rhythm and metre, the history of comparative musicology, and musical encounters between India and the West. His publications include Time in Indian Music (2000), The Cultural Study of Music (co-editor, 2003) and Music, Time and Place (2007). Bennett Zon is Reader in Music, Director of the Centre for Nineteenth-Century Music and Fellow of the Institute of Advanced Study, Durham University. He has published The English Plainchant Revival (1999), Music and Metaphor in Nineteenth-Century British Musicology (2000) and Representing Non-Western Music in Nineteenth-Century Britain (2007). Zon is General Editor of Nineteenth-Century Music Review and the Music in Nineteenth-Century Britain book series.
Contents: Introduction
Martin Clayton and Bennett Zon. Part I Portrayal of the East: Encountering the other
redefining the self: Hindostannie airs
Haydn's folksong settings and the 'common practice' style
Nicholas Cook; Mamia
Ammani and other Bayadères: Europe's portrayal of India's temple dancers
Joep Bor; Musical renaissance and its margins in England and India
1874-1914
Martin Clayton; Mizrakh
Jewish music and the journey to the East
Philip V. Bohlman and Ruth Davis. Part II Interpreting Concert Music: Granville Bantock and the Orient in the Midlands
Fiona Richards; 'An inoffensive thing': Elgar
The Crown of India and Empire
Corissa Gould; Patriotic vigour or voice of the Orient? Re-reading Elgar's Caractacus
Laura Upperton; Negotiating orientalism: the Kaccheri and the critic in colonial South India
Lakshmi Subramanian. Part III Words and Music: 'Violent passions' and 'inhuman excess': simplicity and the representation of non-Western music in 19th-century British travel literature
Bennett Zon; Creative women and 'exoticism' at the last fin-de-siècle
Sophie Fuller; Tom-toms
dream-fugues and poppy juice: East meets West in 19th-century fiction
Phyllis Weliver. Part IV The Orientalist Stage: Chu Chin Chow and orientalist musical theatre in Britain during the First World War
William A. Everett; A parallel reading of the 'Oriental' and South American opera libretti set by Sir Henry Bishop
Claire Mabilat; Musicking the other: orientalism in the Hindi cinema
Greg Booth. Index.
Martin Clayton and Bennett Zon. Part I Portrayal of the East: Encountering the other
redefining the self: Hindostannie airs
Haydn's folksong settings and the 'common practice' style
Nicholas Cook; Mamia
Ammani and other Bayadères: Europe's portrayal of India's temple dancers
Joep Bor; Musical renaissance and its margins in England and India
1874-1914
Martin Clayton; Mizrakh
Jewish music and the journey to the East
Philip V. Bohlman and Ruth Davis. Part II Interpreting Concert Music: Granville Bantock and the Orient in the Midlands
Fiona Richards; 'An inoffensive thing': Elgar
The Crown of India and Empire
Corissa Gould; Patriotic vigour or voice of the Orient? Re-reading Elgar's Caractacus
Laura Upperton; Negotiating orientalism: the Kaccheri and the critic in colonial South India
Lakshmi Subramanian. Part III Words and Music: 'Violent passions' and 'inhuman excess': simplicity and the representation of non-Western music in 19th-century British travel literature
Bennett Zon; Creative women and 'exoticism' at the last fin-de-siècle
Sophie Fuller; Tom-toms
dream-fugues and poppy juice: East meets West in 19th-century fiction
Phyllis Weliver. Part IV The Orientalist Stage: Chu Chin Chow and orientalist musical theatre in Britain during the First World War
William A. Everett; A parallel reading of the 'Oriental' and South American opera libretti set by Sir Henry Bishop
Claire Mabilat; Musicking the other: orientalism in the Hindi cinema
Greg Booth. Index.
Contents: Introduction
Martin Clayton and Bennett Zon. Part I Portrayal of the East: Encountering the other
redefining the self: Hindostannie airs
Haydn's folksong settings and the 'common practice' style
Nicholas Cook; Mamia
Ammani and other Bayadères: Europe's portrayal of India's temple dancers
Joep Bor; Musical renaissance and its margins in England and India
1874-1914
Martin Clayton; Mizrakh
Jewish music and the journey to the East
Philip V. Bohlman and Ruth Davis. Part II Interpreting Concert Music: Granville Bantock and the Orient in the Midlands
Fiona Richards; 'An inoffensive thing': Elgar
The Crown of India and Empire
Corissa Gould; Patriotic vigour or voice of the Orient? Re-reading Elgar's Caractacus
Laura Upperton; Negotiating orientalism: the Kaccheri and the critic in colonial South India
Lakshmi Subramanian. Part III Words and Music: 'Violent passions' and 'inhuman excess': simplicity and the representation of non-Western music in 19th-century British travel literature
Bennett Zon; Creative women and 'exoticism' at the last fin-de-siècle
Sophie Fuller; Tom-toms
dream-fugues and poppy juice: East meets West in 19th-century fiction
Phyllis Weliver. Part IV The Orientalist Stage: Chu Chin Chow and orientalist musical theatre in Britain during the First World War
William A. Everett; A parallel reading of the 'Oriental' and South American opera libretti set by Sir Henry Bishop
Claire Mabilat; Musicking the other: orientalism in the Hindi cinema
Greg Booth. Index.
Martin Clayton and Bennett Zon. Part I Portrayal of the East: Encountering the other
redefining the self: Hindostannie airs
Haydn's folksong settings and the 'common practice' style
Nicholas Cook; Mamia
Ammani and other Bayadères: Europe's portrayal of India's temple dancers
Joep Bor; Musical renaissance and its margins in England and India
1874-1914
Martin Clayton; Mizrakh
Jewish music and the journey to the East
Philip V. Bohlman and Ruth Davis. Part II Interpreting Concert Music: Granville Bantock and the Orient in the Midlands
Fiona Richards; 'An inoffensive thing': Elgar
The Crown of India and Empire
Corissa Gould; Patriotic vigour or voice of the Orient? Re-reading Elgar's Caractacus
Laura Upperton; Negotiating orientalism: the Kaccheri and the critic in colonial South India
Lakshmi Subramanian. Part III Words and Music: 'Violent passions' and 'inhuman excess': simplicity and the representation of non-Western music in 19th-century British travel literature
Bennett Zon; Creative women and 'exoticism' at the last fin-de-siècle
Sophie Fuller; Tom-toms
dream-fugues and poppy juice: East meets West in 19th-century fiction
Phyllis Weliver. Part IV The Orientalist Stage: Chu Chin Chow and orientalist musical theatre in Britain during the First World War
William A. Everett; A parallel reading of the 'Oriental' and South American opera libretti set by Sir Henry Bishop
Claire Mabilat; Musicking the other: orientalism in the Hindi cinema
Greg Booth. Index.