Music and Protest in 1968
Herausgeber: Kutschke, Beate; Norton, Barley
Music and Protest in 1968
Herausgeber: Kutschke, Beate; Norton, Barley
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In fifteen case studies from around the world, contributors explore the relationship between music and socio-political protest in 1968.
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In fifteen case studies from around the world, contributors explore the relationship between music and socio-political protest in 1968.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 342
- Erscheinungstermin: 29. September 2014
- Englisch
- Abmessung: 244mm x 170mm x 18mm
- Gewicht: 591g
- ISBN-13: 9781107504318
- ISBN-10: 1107504317
- Artikelnr.: 41641027
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 342
- Erscheinungstermin: 29. September 2014
- Englisch
- Abmessung: 244mm x 170mm x 18mm
- Gewicht: 591g
- ISBN-13: 9781107504318
- ISBN-10: 1107504317
- Artikelnr.: 41641027
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Introduction Beate Kutschke; 1. Expressive revolutions: '1968' and music in
The Netherlands Robert Adlington; 2. Music as plea for political action:
the presence of musicians in Italian protest movements around 1968
Gianmario Borio; 3. 'This is my country': American popular music and
political engagement in '1968' Sarah Hill; 4. Spontaneity and Black
consciousness: South Africans imagining musical and political freedom in
1960s Europe Carol Muller; 5. Vietnamese popular song in '1968': war,
protest and sentimentalism Barley Norton; 6. Music and protest in Japan:
the rise of underground folk song in '1968' Tôru Mitsui; 7. 'There is no
revolution without song': 'new song' in Latin America Jan Fairley; 8. 'The
power of music': antiauthoritarian music movements in Scandinavia in '1968'
Alf Björnberg; 9. British rock: the short '1968', and the long Allan Moore;
10. '1968' and the experimental revolution in Britain Virginia Anderson;
11. Antiauthoritarian revolt by musical means on both sides of the Berlin
Wall Beate Kutschke; 12. '1968' - the emergence of a protest culture in the
popular music of the Eastern Bloc? Rüdiger Ritter; 13. Gendering '1968':
womanhood in model works of the People's Republic of China and movie
musicals of Hong Kong Hon-Lun Yang; 14. A revolution in sheep's wool
stockings: early music and '1968' Kailan Rubinoff; 15. Music and May 1968
in France: practices, roles, representations Eric Drott.
The Netherlands Robert Adlington; 2. Music as plea for political action:
the presence of musicians in Italian protest movements around 1968
Gianmario Borio; 3. 'This is my country': American popular music and
political engagement in '1968' Sarah Hill; 4. Spontaneity and Black
consciousness: South Africans imagining musical and political freedom in
1960s Europe Carol Muller; 5. Vietnamese popular song in '1968': war,
protest and sentimentalism Barley Norton; 6. Music and protest in Japan:
the rise of underground folk song in '1968' Tôru Mitsui; 7. 'There is no
revolution without song': 'new song' in Latin America Jan Fairley; 8. 'The
power of music': antiauthoritarian music movements in Scandinavia in '1968'
Alf Björnberg; 9. British rock: the short '1968', and the long Allan Moore;
10. '1968' and the experimental revolution in Britain Virginia Anderson;
11. Antiauthoritarian revolt by musical means on both sides of the Berlin
Wall Beate Kutschke; 12. '1968' - the emergence of a protest culture in the
popular music of the Eastern Bloc? Rüdiger Ritter; 13. Gendering '1968':
womanhood in model works of the People's Republic of China and movie
musicals of Hong Kong Hon-Lun Yang; 14. A revolution in sheep's wool
stockings: early music and '1968' Kailan Rubinoff; 15. Music and May 1968
in France: practices, roles, representations Eric Drott.
Introduction Beate Kutschke; 1. Expressive revolutions: '1968' and music in
The Netherlands Robert Adlington; 2. Music as plea for political action:
the presence of musicians in Italian protest movements around 1968
Gianmario Borio; 3. 'This is my country': American popular music and
political engagement in '1968' Sarah Hill; 4. Spontaneity and Black
consciousness: South Africans imagining musical and political freedom in
1960s Europe Carol Muller; 5. Vietnamese popular song in '1968': war,
protest and sentimentalism Barley Norton; 6. Music and protest in Japan:
the rise of underground folk song in '1968' Tôru Mitsui; 7. 'There is no
revolution without song': 'new song' in Latin America Jan Fairley; 8. 'The
power of music': antiauthoritarian music movements in Scandinavia in '1968'
Alf Björnberg; 9. British rock: the short '1968', and the long Allan Moore;
10. '1968' and the experimental revolution in Britain Virginia Anderson;
11. Antiauthoritarian revolt by musical means on both sides of the Berlin
Wall Beate Kutschke; 12. '1968' - the emergence of a protest culture in the
popular music of the Eastern Bloc? Rüdiger Ritter; 13. Gendering '1968':
womanhood in model works of the People's Republic of China and movie
musicals of Hong Kong Hon-Lun Yang; 14. A revolution in sheep's wool
stockings: early music and '1968' Kailan Rubinoff; 15. Music and May 1968
in France: practices, roles, representations Eric Drott.
The Netherlands Robert Adlington; 2. Music as plea for political action:
the presence of musicians in Italian protest movements around 1968
Gianmario Borio; 3. 'This is my country': American popular music and
political engagement in '1968' Sarah Hill; 4. Spontaneity and Black
consciousness: South Africans imagining musical and political freedom in
1960s Europe Carol Muller; 5. Vietnamese popular song in '1968': war,
protest and sentimentalism Barley Norton; 6. Music and protest in Japan:
the rise of underground folk song in '1968' Tôru Mitsui; 7. 'There is no
revolution without song': 'new song' in Latin America Jan Fairley; 8. 'The
power of music': antiauthoritarian music movements in Scandinavia in '1968'
Alf Björnberg; 9. British rock: the short '1968', and the long Allan Moore;
10. '1968' and the experimental revolution in Britain Virginia Anderson;
11. Antiauthoritarian revolt by musical means on both sides of the Berlin
Wall Beate Kutschke; 12. '1968' - the emergence of a protest culture in the
popular music of the Eastern Bloc? Rüdiger Ritter; 13. Gendering '1968':
womanhood in model works of the People's Republic of China and movie
musicals of Hong Kong Hon-Lun Yang; 14. A revolution in sheep's wool
stockings: early music and '1968' Kailan Rubinoff; 15. Music and May 1968
in France: practices, roles, representations Eric Drott.