This book analyses the role of music in processes of religious change in contemporary progressive Judaism. Based on ethnographic research conducted in London, it illustrates a growing trend among progressive Jews in the West today: the desire to combine liberal theology with forms of practice experienced as more traditional.
This book analyses the role of music in processes of religious change in contemporary progressive Judaism. Based on ethnographic research conducted in London, it illustrates a growing trend among progressive Jews in the West today: the desire to combine liberal theology with forms of practice experienced as more traditional.
Introduction 1. Theoretical Starting Points 2. Entering the Ethnographic Field 3. Dinah: Radical and Liberal in Theology, Traditional in Practice 4. Micah: Music as a Bridge between Diverse Jewish Experiences 5. Esther: Singing as a Form of Understanding 6. David: The Wish to Have a Broader Sort of Thing 7. Rachel: "It's Not the Words, It's the Melodies" Conclusion
Introduction 1. Theoretical Starting Points 2. Entering the Ethnographic Field 3. Dinah: Radical and Liberal in Theology, Traditional in Practice 4. Micah: Music as a Bridge between Diverse Jewish Experiences 5. Esther: Singing as a Form of Understanding 6. David: The Wish to Have a Broader Sort of Thing 7. Rachel: "It's Not the Words, It's the Melodies" Conclusion
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