Comprehensive, lavishly illustrated survey of English popular music during the early modern period. Accompanied by specially commissioned recordings.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Christopher Marsh is a Reader in Early Modern History at Queen's University Belfast. His previous publications include The Family of Love in English Society (Cambridge University Press, 1994) and Popular Religion in Sixteenth-Century England (1998). He is also the author of the satirical novel A Year in the Province (2009).
Inhaltsangabe
Introduction 1. The power of music 2. Occupational musicians: denigration and defence 3. Occupational musicians: employment prospects 4. Recreational musicians 5. Ballads and their audience 6. Balladry and the meanings of melody 7. 'The skipping art': dance and society 8. Parish church music: the rise of the 'singing psalms' 9. Parish church music: bells and their ringers Conclusion Appendix Bibliography.
Introduction 1. The power of music 2. Occupational musicians: denigration and defence 3. Occupational musicians: employment prospects 4. Recreational musicians 5. Ballads and their audience 6. Balladry and the meanings of melody 7. 'The skipping art': dance and society 8. Parish church music: the rise of the 'singing psalms' 9. Parish church music: bells and their ringers Conclusion Appendix Bibliography.
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