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This new reading of Irish literature identifies, for the first time, the formative influence of music in Irish writing over the past 200 years. Although this influence has long been acknowledged in studies of Shaw and Joyce, White explores music as an abiding preoccupation in the work of Moore, Yeats, Synge, Shaw, Joyce, Beckett, Friel, and Heaney.

Produktbeschreibung
This new reading of Irish literature identifies, for the first time, the formative influence of music in Irish writing over the past 200 years. Although this influence has long been acknowledged in studies of Shaw and Joyce, White explores music as an abiding preoccupation in the work of Moore, Yeats, Synge, Shaw, Joyce, Beckett, Friel, and Heaney.
Autorenporträt
Harry White is Professor of Music at University College Dublin and a Fellow of the Royal Irish Academy of Music. From 2003-2006, he was inaugural President of the Society for Musicology in Ireland, and in 2006 he was elected to the Royal Irish Academy. He is general editor (with Gerard Gillen) of the series Irish Musical Studies and (with Barra Boydell) of the forthcoming Encyclopaedia of Music in Ireland. His previous books include The Keeper's Recital (1998) and The Progress of Music in Ireland (2005).