Synthesizing music, literature and theory, Fraser Riddell reveals the importance of music in emergent queer identities at the fin de siècle. Illuminating for both students and researchers of the period, his compelling arguments for music's queer agency will fascinate anyone interested in Aestheticism, Decadence and the Bloomsbury Group.
Synthesizing music, literature and theory, Fraser Riddell reveals the importance of music in emergent queer identities at the fin de siècle. Illuminating for both students and researchers of the period, his compelling arguments for music's queer agency will fascinate anyone interested in Aestheticism, Decadence and the Bloomsbury Group.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr Fraser Riddell is Assistant Professor in Literary Medical Humanities at Durham University. Recent publications include articles in Victorian Literature and Culture and the Journal of Victorian Culture, as well as a chapter in the Oxford Handbook of Decadence. He previously taught at Trinity College, Oxford and the University of St Andrews.
Inhaltsangabe
Introduction 1. Music, emotion and the homosexual subject 2. Flesh: Music, masochism, queerness 3. Voice: Disembodiment and desire 4. Touch: Transmission, contact, connection 5. Time: Backwards listening Coda.