Music and Theology
Essays in Honor of Robin A. Leaver
Herausgeber: Zager, Daniel
Music and Theology
Essays in Honor of Robin A. Leaver
Herausgeber: Zager, Daniel
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Music and Theology is a Festschrift honoring Dr. Robin A. Leaver, reflecting his interests in the history of sacred music with particular emphasis on studies related to Johann Sebastian Bach (1685-1750).
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Music and Theology is a Festschrift honoring Dr. Robin A. Leaver, reflecting his interests in the history of sacred music with particular emphasis on studies related to Johann Sebastian Bach (1685-1750).
Produktdetails
- Produktdetails
- Verlag: Scarecrow Press
- Seitenzahl: 290
- Erscheinungstermin: 13. Dezember 2006
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 576g
- ISBN-13: 9780810854147
- ISBN-10: 0810854147
- Artikelnr.: 22040583
- Verlag: Scarecrow Press
- Seitenzahl: 290
- Erscheinungstermin: 13. Dezember 2006
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 576g
- ISBN-13: 9780810854147
- ISBN-10: 0810854147
- Artikelnr.: 22040583
Edited by Daniel Zager
Part 1 Preface Part 2 1 "The Soul Is Symphonic": Meditation on Luke 15:25
and Hildegard of Bingen's Letter 23 Part 3 2 Early Lutheran Hymnals and
Other Musical Sources in the Kessler Reformation Collection at Emory
University Part 4 3 Tradition with Variations: Chorale Settings per omnes
versus by Buxtehude and Bach Part 5 4 Bach's Preluding for a Leipzig
Academic Ceremony Part 6 5 Bach's Setting of the Hymn Tune "Nun komm, der
Heiden Heiland" in His Cantatas and Organ Works Part 7 6 Historically
Informed Rendering of the Librettos from Bach's Church Cantatas Part 8 7
The Role of the "Actus Structure" in the Libretto of J. S. Bach's Matthew
Passion Part 9 8 Two Unusual Cues in J. S. Bach's Performing Parts Part 10
9 Johann Sebastian Bach and the Praise of God: Some Thoughts on the Canon
Triplex (BWV 1076) Part 11 10 Bach and Dresden: A New Hypothesis on the
Origin of the Goldberg Variations (BWV 988) Part 12 11 A Is for Apple: The
Search for an American Church Music; or the ABCs of American Church Music:
A Is for Apple, B Is for Billings, and C Is for Chapman Part 13 12 Beauty
and Terror: What Have We to Sing; What Has Worship to Pray? Part 14 13
Robin A. Leaver: A Bibliography of His Writings Part 15 Index Part 16 About
the Contributors
and Hildegard of Bingen's Letter 23 Part 3 2 Early Lutheran Hymnals and
Other Musical Sources in the Kessler Reformation Collection at Emory
University Part 4 3 Tradition with Variations: Chorale Settings per omnes
versus by Buxtehude and Bach Part 5 4 Bach's Preluding for a Leipzig
Academic Ceremony Part 6 5 Bach's Setting of the Hymn Tune "Nun komm, der
Heiden Heiland" in His Cantatas and Organ Works Part 7 6 Historically
Informed Rendering of the Librettos from Bach's Church Cantatas Part 8 7
The Role of the "Actus Structure" in the Libretto of J. S. Bach's Matthew
Passion Part 9 8 Two Unusual Cues in J. S. Bach's Performing Parts Part 10
9 Johann Sebastian Bach and the Praise of God: Some Thoughts on the Canon
Triplex (BWV 1076) Part 11 10 Bach and Dresden: A New Hypothesis on the
Origin of the Goldberg Variations (BWV 988) Part 12 11 A Is for Apple: The
Search for an American Church Music; or the ABCs of American Church Music:
A Is for Apple, B Is for Billings, and C Is for Chapman Part 13 12 Beauty
and Terror: What Have We to Sing; What Has Worship to Pray? Part 14 13
Robin A. Leaver: A Bibliography of His Writings Part 15 Index Part 16 About
the Contributors
Part 1 Preface Part 2 1 "The Soul Is Symphonic": Meditation on Luke 15:25
and Hildegard of Bingen's Letter 23 Part 3 2 Early Lutheran Hymnals and
Other Musical Sources in the Kessler Reformation Collection at Emory
University Part 4 3 Tradition with Variations: Chorale Settings per omnes
versus by Buxtehude and Bach Part 5 4 Bach's Preluding for a Leipzig
Academic Ceremony Part 6 5 Bach's Setting of the Hymn Tune "Nun komm, der
Heiden Heiland" in His Cantatas and Organ Works Part 7 6 Historically
Informed Rendering of the Librettos from Bach's Church Cantatas Part 8 7
The Role of the "Actus Structure" in the Libretto of J. S. Bach's Matthew
Passion Part 9 8 Two Unusual Cues in J. S. Bach's Performing Parts Part 10
9 Johann Sebastian Bach and the Praise of God: Some Thoughts on the Canon
Triplex (BWV 1076) Part 11 10 Bach and Dresden: A New Hypothesis on the
Origin of the Goldberg Variations (BWV 988) Part 12 11 A Is for Apple: The
Search for an American Church Music; or the ABCs of American Church Music:
A Is for Apple, B Is for Billings, and C Is for Chapman Part 13 12 Beauty
and Terror: What Have We to Sing; What Has Worship to Pray? Part 14 13
Robin A. Leaver: A Bibliography of His Writings Part 15 Index Part 16 About
the Contributors
and Hildegard of Bingen's Letter 23 Part 3 2 Early Lutheran Hymnals and
Other Musical Sources in the Kessler Reformation Collection at Emory
University Part 4 3 Tradition with Variations: Chorale Settings per omnes
versus by Buxtehude and Bach Part 5 4 Bach's Preluding for a Leipzig
Academic Ceremony Part 6 5 Bach's Setting of the Hymn Tune "Nun komm, der
Heiden Heiland" in His Cantatas and Organ Works Part 7 6 Historically
Informed Rendering of the Librettos from Bach's Church Cantatas Part 8 7
The Role of the "Actus Structure" in the Libretto of J. S. Bach's Matthew
Passion Part 9 8 Two Unusual Cues in J. S. Bach's Performing Parts Part 10
9 Johann Sebastian Bach and the Praise of God: Some Thoughts on the Canon
Triplex (BWV 1076) Part 11 10 Bach and Dresden: A New Hypothesis on the
Origin of the Goldberg Variations (BWV 988) Part 12 11 A Is for Apple: The
Search for an American Church Music; or the ABCs of American Church Music:
A Is for Apple, B Is for Billings, and C Is for Chapman Part 13 12 Beauty
and Terror: What Have We to Sing; What Has Worship to Pray? Part 14 13
Robin A. Leaver: A Bibliography of His Writings Part 15 Index Part 16 About
the Contributors