MacNeil narrates the story of the most famous commedia dell'arte troupe of the late Renaissance, focusing in particular on the representation of women on stage and on the role of music-making in their craft. She provides a rich context for the study of musical-theatrical performance before the advent of opera and re-defines our perceptions of women, music and theatre in the Renaissance.
MacNeil narrates the story of the most famous commedia dell'arte troupe of the late Renaissance, focusing in particular on the representation of women on stage and on the role of music-making in their craft. She provides a rich context for the study of musical-theatrical performance before the advent of opera and re-defines our perceptions of women, music and theatre in the Renaissance.
Anne MacNeil is a Fellow of the American Academy in Rome and currently holds a faculty appointment at the University of North Carolina at Chapel Hill. With an extensive background in both scholarship and performance studies, Professor MacNeil makes appearances internationally as both a speaker and visiting scholar. Her previous academic appointments include the University of Texas at Austin and Northwestern University.
Inhaltsangabe
Preface 1.: Prologue 2.: Turn About is Fair Play 3.: Behold, Now there are Amazons of Learning 4.: The Politics of Description 5.: Epilogue Library Sigla Chronology Transcriptions Bibliography Index
Preface 1.: Prologue 2.: Turn About is Fair Play 3.: Behold, Now there are Amazons of Learning 4.: The Politics of Description 5.: Epilogue Library Sigla Chronology Transcriptions Bibliography Index
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