This book examines the ways in which music is used to advance identity claims in several Latin American countries and among Latinos in the US. Drawing on a vast array of fields including popular music studies, ethnomusicology, sociology, and history it sheds new light on the complex ways in which music provides people from different countries and social sectors with both enjoyment and tools for understanding who they are in terms of nationality, region, race,ethnicity, class, gender, and migration status.
This book examines the ways in which music is used to advance identity claims in several Latin American countries and among Latinos in the US. Drawing on a vast array of fields including popular music studies, ethnomusicology, sociology, and history it sheds new light on the complex ways in which music provides people from different countries and social sectors with both enjoyment and tools for understanding who they are in terms of nationality, region, race,ethnicity, class, gender, and migration status.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Pablo Vila's research focuses on the social construction of identities on the U.S.- Mexico border and in Latin America. He has researched issues of national, regional, racial, ethnic, religious, gender, and class identities on the U.S.- Mexico border and has published 5 books on the topic. In his work on identification processes in Latin America, he has researched the way different social actors use popular music to understand who they are and act accordingly. He has published 4 books on that topic.
Inhaltsangabe
* Acknowledgements * Introduction * Pablo Vila * Chapter 1: Narrative Identities and Popular Music: Linguistic Discourses * and Social Practices * Pablo Vila * Chapter 2: Past Identity: Guillermo Klein, Miguel Zenon and the Future * of Jazz * Jairo Moreno * Chapter 03: Errant surfing. Music, YouTube, the role of the Web in * Youth Cultures * Rossana Reguillo * Chapter 04: Music and Post-Communist Subjectivities in Cuba * Ruben Lopez Cano * Chapter 05: On Whitening and other Disaffections: The * Impact of Tropipop on Colombia's Music Scene * Hector Fernandez L'Hoeste * Chapter 06: Fusion Rock Bands and the "New Peru " on Stage * Patricia Oliart * Chapter 07: Political activists, playboys and hippies: musical * movements and symbolic representations of Brazilian youth in the 1960s * Marcos Napolitano * Chapter 08: The Pro Tools Generation. Digital Culture, Liveness, * and the New Sincerity in Brazilian Popular Music * Frederick Moehn * Chapter 09: A Newer Tango Coming from the Past * Laura Cambra and Juan Raffo * Chapter 10: Life Trajectories and Dejuvenilization in Argentine * Rock * Adrian Pablo Fanjul
* Acknowledgements * Introduction * Pablo Vila * Chapter 1: Narrative Identities and Popular Music: Linguistic Discourses * and Social Practices * Pablo Vila * Chapter 2: Past Identity: Guillermo Klein, Miguel Zenon and the Future * of Jazz * Jairo Moreno * Chapter 03: Errant surfing. Music, YouTube, the role of the Web in * Youth Cultures * Rossana Reguillo * Chapter 04: Music and Post-Communist Subjectivities in Cuba * Ruben Lopez Cano * Chapter 05: On Whitening and other Disaffections: The * Impact of Tropipop on Colombia's Music Scene * Hector Fernandez L'Hoeste * Chapter 06: Fusion Rock Bands and the "New Peru " on Stage * Patricia Oliart * Chapter 07: Political activists, playboys and hippies: musical * movements and symbolic representations of Brazilian youth in the 1960s * Marcos Napolitano * Chapter 08: The Pro Tools Generation. Digital Culture, Liveness, * and the New Sincerity in Brazilian Popular Music * Frederick Moehn * Chapter 09: A Newer Tango Coming from the Past * Laura Cambra and Juan Raffo * Chapter 10: Life Trajectories and Dejuvenilization in Argentine * Rock * Adrian Pablo Fanjul
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