Essays dealing with the controversial concept of the work', and how far social and cultural practices are integral to it.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Laudatio Pierluigi Petrobelli Anonymous Arabic Treatises on Music: Lost Legacies, Hidden Answers Amnon Shiloah Compositional Practices in Trecento Music: Model Books and Musical Traditions Anna Maria Busse Berger Trompetta and Concordans Parts in the Early Fifteenth Century Margaret Bent Recording for Posterity: Some Reflections on the Memorialising of Early Renaissance Music Edward Wickham How to Sin in Music: Doctor Navarrus on Sixteenth Century Singers Bonnie Blackburn Traditions and Practices in Fifteenth and Sixteenth Century Sacred Polyphony: The Use of Solo Voices with Instrumental Accompaniment Elena Quaranta Traditions and Practices in Fifteenth and Sixteenth Century Sacred Polyphony: The Use of Solo Voices with Instrumental Accompaniment David Bryant `The City Full of Grief': Music for the Exequies of King Philip II Giovanni Alberto Ristori and his Serenate at the Polish Court of Augustus III, 1735 1746 Alina Zorawska Witkowska `Cantate, que me veux tu?' or: Do Handel's Cantatas Matter? Ellen T. Harris Two Koechel Numbers, One Work Christopher Wolff Identity and Poetic Style: The Case of Rosmene by Giueseppe Domenico de Totis Norbert Dubowy How Operatic is Vivaldi's Juditha triumphans? Michael Talbot Venice and the East: Operatic Readings of Tasso's Armida in Early Eighteenth Century Venice Melania Bucciarelli Literary Motifs in Metastasio's and Jommelli's Ciro riconosciuto Francesca Menchelli Buttini Producing Stars in Dramma per musica The Pre revolutionary Origins of `Terrorisme musical' Michel Noiray Pieces into Works: Chrubini's Substitute Arias for the Théâtre Feydeau Michael Fend At the Tavern with Manzoni and Verdi: I promessi sposi and the Dramaturgy of La forza del destino Emanuele Seinci The Acoustic Proximity of Temporal Distance: Auratic Sonority in Mahler's Leider eines fahrenden Gesellen Federico Celestini Creating a Concept of `Nazi Musicology' Pamela Potter Et in Arcadia adhuc: Observations on the Continuing Evolution of the `Pastoral Idea' Giovanni Morelli Reinhard Strohm: List of Publications Janet Smith
Laudatio Pierluigi Petrobelli Anonymous Arabic Treatises on Music: Lost Legacies, Hidden Answers Amnon Shiloah Compositional Practices in Trecento Music: Model Books and Musical Traditions Anna Maria Busse Berger Trompetta and Concordans Parts in the Early Fifteenth Century Margaret Bent Recording for Posterity: Some Reflections on the Memorialising of Early Renaissance Music Edward Wickham How to Sin in Music: Doctor Navarrus on Sixteenth Century Singers Bonnie Blackburn Traditions and Practices in Fifteenth and Sixteenth Century Sacred Polyphony: The Use of Solo Voices with Instrumental Accompaniment Elena Quaranta Traditions and Practices in Fifteenth and Sixteenth Century Sacred Polyphony: The Use of Solo Voices with Instrumental Accompaniment David Bryant `The City Full of Grief': Music for the Exequies of King Philip II Giovanni Alberto Ristori and his Serenate at the Polish Court of Augustus III, 1735 1746 Alina Zorawska Witkowska `Cantate, que me veux tu?' or: Do Handel's Cantatas Matter? Ellen T. Harris Two Koechel Numbers, One Work Christopher Wolff Identity and Poetic Style: The Case of Rosmene by Giueseppe Domenico de Totis Norbert Dubowy How Operatic is Vivaldi's Juditha triumphans? Michael Talbot Venice and the East: Operatic Readings of Tasso's Armida in Early Eighteenth Century Venice Melania Bucciarelli Literary Motifs in Metastasio's and Jommelli's Ciro riconosciuto Francesca Menchelli Buttini Producing Stars in Dramma per musica The Pre revolutionary Origins of `Terrorisme musical' Michel Noiray Pieces into Works: Chrubini's Substitute Arias for the Théâtre Feydeau Michael Fend At the Tavern with Manzoni and Verdi: I promessi sposi and the Dramaturgy of La forza del destino Emanuele Seinci The Acoustic Proximity of Temporal Distance: Auratic Sonority in Mahler's Leider eines fahrenden Gesellen Federico Celestini Creating a Concept of `Nazi Musicology' Pamela Potter Et in Arcadia adhuc: Observations on the Continuing Evolution of the `Pastoral Idea' Giovanni Morelli Reinhard Strohm: List of Publications Janet Smith
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