Music at the Intersection of Brazilian Culture takes an interdisciplinary approach by utilizing several aspects of Brazilian music, race, and food as a window to understanding Brazilian culture, with music at the core.
Music at the Intersection of Brazilian Culture takes an interdisciplinary approach by utilizing several aspects of Brazilian music, race, and food as a window to understanding Brazilian culture, with music at the core.
Elisa Macedo Dekaney is Professor of Music Education in the School of Education and College of Visual and Performing Arts at Syracuse University. Joshua A. Dekaney is a freelance percussionist and Part-Time Instructor of Percussion at Syracuse University, as well as a frequent performer.
Inhaltsangabe
1 Introduction 2 Brazil and Music: An Introductory Overview 3 Indigenous Peoples in Brazil: The Fight Against Acculturation 4 Cultural Understanding Through Indigenous Stories 5 It's Not all Black and White: The Myth of Racial Democracy and Capoeira 6 Afro-Brazilian Resistance: Chico Rei and Maracatu 7 Mixing it all Together: Brazilian Popular Music Intersects with Food 8 The Kitchen as a Folk Space: Brazilian Cuisine at its Best Glossary Appendix 1 Rhythm in Practice Appendix 2 Additional Listening Appendix 3 Batucada
1 Introduction 2 Brazil and Music: An Introductory Overview 3 Indigenous Peoples in Brazil: The Fight Against Acculturation 4 Cultural Understanding Through Indigenous Stories 5 It's Not all Black and White: The Myth of Racial Democracy and Capoeira 6 Afro-Brazilian Resistance: Chico Rei and Maracatu 7 Mixing it all Together: Brazilian Popular Music Intersects with Food 8 The Kitchen as a Folk Space: Brazilian Cuisine at its Best Glossary Appendix 1 Rhythm in Practice Appendix 2 Additional Listening Appendix 3 Batucada
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